<\/p>\n
HOLLYWOOD BE THY NAME
\n<\/b>Saturday 14 June 2003, at 7pm
\n<\/b>London Barbican Screen<\/p>\n
THE LIFE AND DEATH OF 9413 – A HOLLYWOOD EXTRA
\nRobert Florey & Slavko Vorkapich, 1927, b\/w, silent, 15 min
\n<\/strong>\u201cA Hollywood Extra<\/em> was made by three people: Slavko Vorkapich, an expatriate Yugoslavian commercial artist turned cin\u00e9aste; Robert Florey, an expatriate French journalist; and Gregg Toland, an assistant cameraman at MGM. Shot over several weekends in Vorkapich\u2019s kitchen at a total cost of $97, it combined live action and special effects to recount the fate of an extra who hopes to make a career as an actor, and also to sketch the conditions of studio production and the architectural fabric of the city at large. Hollywood dehumanises the hopeful actor and eventually destroys him. He is reduced to a number (which is written on his forehead), he fails to find work and, hounded by creditors and continually humiliated by the stars, he sinks into poverty and dies. Only when he reaches Heaven is the stigma removed from his brow.\u201d \u2014David E. James, Unseen Cinema<\/em><\/p>\nI, AN ACTRESS<\/strong>
\n George Kuchar, 1978, b\/w, sound, 10 min
\n<\/strong>\u201cThis film was shot in 10 minutes with four or five students of mine at the San Francisco Art Institute. It was to be a screen test for a girl in the class. She wanted something to show producers of theatrical productions; the girl was interested in an acting career. By the time all the heavy equipment was set up the class was just about over; all we had was 10 minutes. Since 400 feet of film takes 10 minutes to run through the camera … that was the answer: Just start it and don\u2019t stop till it runs out. I had to get into the act to speed things up so, in a way, this film gives an insight into my directing techniques while under pressure.\u201d \u2014George Kuchar<\/p>\nHEDY (THE SHOPLIFTER)<\/strong>
\n Andy Warhol, 1966, b\/w, sound, 66 min
\n<\/strong>\u201cStarring Mario Montez as \u2018Hedy\u2019, Mary Woronov as the policewoman, Harvey Tavel as the judge, Ingrid Superstar as the sales lady, Ronald Tavel as the walk-on, and the five husbands are played by Gerard Malanga, Rick Lockwood, James Claire, Randy Borscheidt, David Myers. Jack Smith plays the soothsayer. Arnold Rockwood, of Flaming Creatures<\/em> fame, plays the surgeon. The story of a wealthy and beautiful woman getting a face-lifting to look more beautiful, and then caught at shop-lifting, to face her former five husbands and her past climbing up and down the ladder of success. Scenario by Ronald Tavel. Musical soundtrack by John Cale and Lou Reed.\u201d \u2014New York Film-Makers\u2019 Cooperative Catalogue No.4<\/em><\/p>\nPUCE MOMENT<\/strong>
\n Kenneth Anger, 1949\/70, colour, sound, 7 min
\n<\/strong>A fragment of the uncompleted feature film Puce Women<\/em>. \u201cPuce Women<\/em> was my love affair with mythological Hollywood. A straight, heterosexual love affair, no bullshit, with all the great goddesses of the silent screen. They were to be filmed in their actual houses; I was, in effect, filming ghosts. When I couldn\u2019t get any bread from [Arthur] Freed or [Gene] Kelly at MGM the project was doomed, because a freeway to the San Fernando Valley was put through all those lovely 1920 houses. That was a sad day for Hollywood, the beginning of the end, when Whitley Heights went. I\u2019m a conservative, meaning that I cherish things of value. This places me at the antipodes of a cheap hustler like Andy Warhol, who is the garbage merchant of our time.\u201d \u2014Kenneth Anger interviewed by Tony Rayns<\/p>\nBack to top<\/a><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"
HOLLYWOOD BE THY NAME Saturday 14 June 2003, at 7pm London Barbican Screen Four of the avant-garde\u2019s most momentous flirtations with the glamorous world of The Movies. The dark shadow of Tinseltown looms large on the horizon. Robert Florey & Slavko Vorkapich, The Life and Death of 9413 – A Hollywood Extra, 1927, b\/w, silent, […]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[122],"tags":[],"class_list":["post-3812","post","type-post","status-publish","format-standard","hentry","category-california-sound-california-image"],"_links":{"self":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts\/3812","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/comments?post=3812"}],"version-history":[{"count":0,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts\/3812\/revisions"}],"wp:attachment":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/media?parent=3812"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/categories?post=3812"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/tags?post=3812"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}