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LUX SALON: COURTNEY HOSKINS & MARY BETH REED LUX is pleased to present the first UK show by Courtney Hoskins and Mary Beth Reed, two young American filmmakers whose films combine photographed footage with hand-painted film and manipulation of the optical printer. Both studied with Stan Brakhage and Phil Solomon at the University of Colorado in Boulder, and their works were included in the recent Brakhage fundraiser and tribute at The Other Cinema. Courtney Hoskins uses various optics techniques to create her film worlds. Using the properties of the light waves themselves (twisting and bending certain wavelengths), she develops an otherworldly palette that shows the complexities and surprises found in the seemingly mundane objects of our daily lives. Mary Beth Reed mixes animation and abstraction into a kaleidoscopic flow of hand painted and optically printed film. She creates films of exquisite colour and imagery that dance across the screen with a mesmerising and unique rhythmic quality. The programme will be in two discreet parts, with a short interval, and both Courtney and Mary Beth will be here to discuss their work.<\/p>\n Courtney Hoskins, The Galilean Satellites (Europa, Io, Ganymede, Callisto), 2003<\/strong> LUX SALON: COURTNEY HOSKINS & MARY BETH REED Thursday 26 June 2003, at 7:30pm London LUX LUX is pleased to present the first UK show by Courtney Hoskins and Mary Beth Reed, two young American filmmakers whose films combine photographed footage with hand-painted film and manipulation of the optical printer. Both studied with Stan Brakhage […]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[119],"tags":[],"class_list":["post-3638","post","type-post","status-publish","format-standard","hentry","category-lux-salon"],"_links":{"self":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts\/3638","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/comments?post=3638"}],"version-history":[{"count":0,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts\/3638\/revisions"}],"wp:attachment":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/media?parent=3638"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/categories?post=3638"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/tags?post=3638"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\n<\/strong>Thursday 26 June 2003, at 7:30pm<\/strong>
\nLondon LUX<\/strong><\/p>\n
\n Courtney Hoskins, Munkphilm, 2001<\/strong>
\n Courtney Hoskins, Gossamer Conglomerate, 2001<\/strong>
\n Courtney Hoskins, Snow Flukes, 2002<\/strong>
\n Courtney Hoskins, Les Vitraux de St. Chappelle, 2003<\/strong>
\n Mary Beth Reed, Sunday Afternoon<\/strong>
\n Mary Beth Reed, Sand Castle, 2000<\/strong>
\n Mary Beth Reed, Pink Film, 2000<\/strong>
\n Mary Beth Reed, Montessori Sword Fight, 2002<\/strong>
\n Mary Beth Reed, Floating Under a Honey Tree, 1999<\/strong>
\n Mary Beth Reed, Moose Mountain, 2002<\/strong>
\n Mary Beth Reed, Moose Mountain 2<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"