ngg_shortcode_0_placeholder<\/p>\n
LUX SALON: NEW GERMAN CINEMA with Thomas Draschan German Filmmaker Thomas Draschan presents a special programme of new experimental cinema from Germany including work by Draschan, Ulrich Wiesner, Thomas Feldmann, Kerstin Cmelka, Goh Harada and Nino Pezzella.<\/p>\n Thomas Draschan was a student of Peter Kubelka at the Stadelschule in Frankfurt and co-curated the programme \u2018In Kubelka’s Shadow\u2019 at the 2001 London Film Festival, which included earlier works by several of the filmmakers that are featured tonight. He works independently to organise the Frankfurt Filmschau, and the Independent Film Show in Naples.<\/p>\n Thomas Draschan, Yes Oui Ja, 2003, 16mm, colour, sound, 4 min<\/strong> LUX SALON: NEW GERMAN CINEMA with Thomas Draschan Wednesday 11 September 2002, at 7:30pm London LUX German Filmmaker Thomas Draschan presents a special programme of new experimental cinema from Germany including work by Draschan, Ulrich Wiesner, Thomas Feldmann, Kerstin Cmelka, Goh Harada and Nino Pezzella. Thomas Draschan was a student of Peter Kubelka at the […]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[119],"tags":[],"class_list":["post-3556","post","type-post","status-publish","format-standard","hentry","category-lux-salon"],"_links":{"self":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts\/3556","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/comments?post=3556"}],"version-history":[{"count":0,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts\/3556\/revisions"}],"wp:attachment":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/media?parent=3556"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/categories?post=3556"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/tags?post=3556"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\n<\/strong>Wednesday 11 September 2002, at 7:30pm<\/strong>
\nLondon LUX<\/strong><\/p>\n
\nUlrich Wiesner, Afrika Bonus, 1982, 16mm, colour, sound, 3 min<\/strong>
\nUlrich Wiesner, Deutschland Lacht (Germany Laughs), 1982, 16mm, colour, sound, 3 min<\/strong>
\nThomas Feldmann, 2 Chinesische Zeichen (2 Chinese Signs), 1982, 16mm, colour, sound, 2 x 2 min<\/strong>
\nGoh Harada, Blaufilm, 1999-2000, 16mm, colour, silent, 10 min <\/strong>
\nNino Pezzella, Zum Briefkasten, 1989-2002, 16mm, colour, sound, 17 min
\n<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"