{"id":3471,"date":"2002-11-20T18:00:50","date_gmt":"2002-11-20T18:00:50","guid":{"rendered":"http:\/\/markwebber.org.uk\/archive\/?p=3471"},"modified":"2018-01-25T15:00:41","modified_gmt":"2018-01-25T15:00:41","slug":"gunvor-nelson-1","status":"publish","type":"post","link":"https:\/\/markwebber.org.uk\/archive\/2002\/11\/20\/gunvor-nelson-1\/","title":{"rendered":"Gunvor Nelson 1: Collage Films"},"content":{"rendered":"<p style=\"text-align: center;\">ngg_shortcode_0_placeholder<\/p>\n<p class=\"p1\"><b>GUNVOR NELSON 1: COLLAGE FILMS<br \/>\n<\/b><b> <\/b><b> <\/b><b> <\/b><b>Wednesday 20 November 2002, at 6pm<br \/>\nGateshead BALTIC Centre<br \/>\n<\/b><\/p>\n<p>Introduced by Gunvor Nelson.<\/p>\n<p class=\"p1\">Gunvor Nelson\u2019s collage work extends the artistic possibilities of animation and layered imagery, combining disparate elements into a temporal, cinematic painting. In this sequence of films from the 1980s, journeys through the Swedish landscape are used to depict a sense of displacement from her native country. By showing animation as a process, Nelson creates a unique and freewheeling chain of evocative transformations.<\/p>\n<p class=\"p1\"><strong>Gunvor Nelson, Light Years, 1987, colour, sound, 28m<\/strong><br \/>\n<strong>Gunvor Nelson, Frame Line, 1983, b\/w, sound, 22m<\/strong><br \/>\n<strong>Gunvor Nelson, Light Years Expanding, 1987, colour, sound, 25m<\/strong><\/p>\n<p><a href=\"#top\">Back to top<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Alina Rudnitskaya\u2019s humanistic approach to documentary filmmaking often brings out the humour in her chosen subjects. As an introduction to her work, this programme depicts three diverse groups of contemporary Russian women.<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[116],"tags":[],"class_list":["post-3471","post","type-post","status-publish","format-standard","hentry","category-oyvind-fahlstrom"],"_links":{"self":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts\/3471","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/comments?post=3471"}],"version-history":[{"count":0,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts\/3471\/revisions"}],"wp:attachment":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/media?parent=3471"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/categories?post=3471"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/tags?post=3471"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}