{"id":3466,"date":"2002-10-14T18:15:50","date_gmt":"2002-10-14T17:15:50","guid":{"rendered":"http:\/\/markwebber.org.uk\/archive\/?p=3466"},"modified":"2018-01-25T15:01:00","modified_gmt":"2018-01-25T15:01:00","slug":"9-evenings","status":"publish","type":"post","link":"https:\/\/markwebber.org.uk\/archive\/2002\/10\/14\/9-evenings\/","title":{"rendered":"Experiments in Art &#038; Technology: 9 Evenings"},"content":{"rendered":"<p style=\"text-align: center;\">ngg_shortcode_0_placeholder<\/p>\n<p class=\"p1\"><b>EXPERIMENTS IN ART &amp; TECHNOLOGY: 9 EVENINGS<br \/>\n<\/b><b> <\/b><b> <\/b><b>Monday 14 October 2002, at 6:15pm<br \/>\nGateshead BALTIC Centre<br \/>\n<\/b><\/p>\n<p class=\"p1\">Introductory lecture and slide show by Billy Kl\u00fcver, founder of E.A.T. (Experiments in Art &amp; Technology). Kl\u00fcver will discuss the work of \u00d6yvind Fahlstr\u00f6m, with particular reference to the multi-media performance <i>Kisses Sweeter Than Wine<\/i>.<\/p>\n<p><strong>Barbro Schultz Lundestam, \u00d6yvind Fahlstr\u00f6m: Kisses Sweeter Than Wine, 1966, b\/w &amp; colour, sound, 71 min<\/strong><i><\/i><\/p>\n<p><a href=\"#top\">Back to top<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Alina Rudnitskaya\u2019s humanistic approach to documentary filmmaking often brings out the humour in her chosen subjects. As an introduction to her work, this programme depicts three diverse groups of contemporary Russian women.<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[116],"tags":[],"class_list":["post-3466","post","type-post","status-publish","format-standard","hentry","category-oyvind-fahlstrom"],"_links":{"self":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts\/3466","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/comments?post=3466"}],"version-history":[{"count":0,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts\/3466\/revisions"}],"wp:attachment":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/media?parent=3466"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/categories?post=3466"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/tags?post=3466"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}