{"id":3341,"date":"2002-12-04T19:30:57","date_gmt":"2002-12-04T19:30:57","guid":{"rendered":"http:\/\/markwebber.org.uk\/archive\/?p=3341"},"modified":"2018-01-25T15:00:40","modified_gmt":"2018-01-25T15:00:40","slug":"brakhage-23rd-psalm-branch","status":"publish","type":"post","link":"https:\/\/markwebber.org.uk\/archive\/2002\/12\/04\/brakhage-23rd-psalm-branch\/","title":{"rendered":"23rd Psalm Branch: A Meditation on War by Stan Brakhage"},"content":{"rendered":"<p style=\"text-align: center;\">ngg_shortcode_0_placeholder<\/p>\n<p><strong>23RD PSALM BRANCH: A MEDITATION ON WAR BY STAN BRAKHAGE<br \/>\n<\/strong> <strong> Wednesday 4 December 2002, at 7:30pm<\/strong><br \/>\n<strong> London The Photographers&#8217; Gallery<\/strong><\/p>\n<p>For the 23rd in his series of 8mm <em>Songs<\/em>, Stan Brakhage assembled a meditation on the nature of war. The film, which was blown up to 16mm in 1978, is an intricate montage in which the material is manipulated to depict his personal response to the horrific events in Vietnam. \u201cA study of war, created in the imagination in the wake of newsreel death and destruction.\u201d<\/p>\n<p><strong>Stan Brakhage, 23rd Psalm Branch: Part I, USA, 1966\/78, colour, silent, 44 min (18fps)<\/strong><br \/>\n<strong>Stan Brakhage, 23rd Psalm Branch: Part II, USA, 1966\/78, colour, silent, 41 min (18fps)<\/strong><\/p>\n<p>\u201cThe furthest that Brakhage came in extending the language of 8mm cinema was his editing of the <em>23rd Psalm Branch<\/em> &#8230; The phenomenal and painstaking craftsmanship of this film reflects the intensity of the obsession with which its theme grasped his mind. In 1966, out of confusion about the Vietnam War and the American reaction to it, Brakhage began to meditate on the nature of war. He amassed a collection of war documentaries and diligently studied newsreels and political speeches on television to the point of speculating on the significance of recurring clusters and shapes of the dots on the television screen. The fruit of his studies and thoughts was the longest and most important of the \u201c<em>Songs<\/em>\u201d; <em>23rd Psalm Branch<\/em> is an apocalypse of the imagination. The conscience of the filmmaker moves between his idea of home and the self and his vision of war. At times the montage of horrors pursues its own split-second dynamic as if forgetting to relocate itself in the passing American landscape.\u201d<\/p>\n<p>(P. Adams Sitney, <em>Visionary Film<\/em>, 1974. An updated 3rd edition of the book was published by Oxford University Press in 2002)<\/p>\n<p><a href=\"#top\">Back to top<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Alina Rudnitskaya\u2019s humanistic approach to documentary filmmaking often brings out the humour in her chosen subjects. As an introduction to her work, this programme depicts three diverse groups of contemporary Russian women.<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[110],"tags":[],"class_list":["post-3341","post","type-post","status-publish","format-standard","hentry","category-infinite-projection"],"_links":{"self":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts\/3341","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/comments?post=3341"}],"version-history":[{"count":0,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts\/3341\/revisions"}],"wp:attachment":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/media?parent=3341"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/categories?post=3341"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/tags?post=3341"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}