{"id":3165,"date":"2002-03-21T20:00:57","date_gmt":"2002-03-21T20:00:57","guid":{"rendered":"http:\/\/markwebber.org.uk\/archive\/?p=3165"},"modified":"2018-01-25T15:01:23","modified_gmt":"2018-01-25T15:01:23","slug":"andy-warhol-tate-11","status":"publish","type":"post","link":"https:\/\/markwebber.org.uk\/archive\/2002\/03\/21\/andy-warhol-tate-11\/","title":{"rendered":"Andy Warhol&#8217;s Silver Factory"},"content":{"rendered":"<p style=\"text-align: center;\">ngg_shortcode_0_placeholder<\/p>\n<p><strong>ANDY WARHOL&#8217;S SILVER FACTORY<\/strong><br \/>\n<strong>Thursday 21 March 2002, at 8:00pm<\/strong><br \/>\n<strong> London The Scala<\/strong><\/p>\n<p><em>An expanded cinema event with films, music and dancing. Several Warhol films will be shown, including a double screen projection of <\/em>The Chelsea Girls<em>.<\/em><\/p>\n<p><strong>Andy Warhol, The Chelsea Girls, USA, 1966, 210 min (double screen)<\/strong><\/p>\n<p>Warhol\u2019s magnum opus that brought the avant-garde into commercial movie theatres. The two-screen format is used to depict simultaneous events indifferent rooms of the Chelsea Hotel, playing psychological situations against each other. The Factory Superstars, including \u201cPope\u201d Ondine, Brigid Polk, Mary Woronov and Eric Emerson turn in extraordinary performances in this fascinating observation of New York&#8217;s subculture. Sex, drugs and divinity, with exclusive music by The Velvet Underground.<\/p>\n<p>Also screening other Warhol films and footage to include <em>Vinyl<\/em> (1965), <em>The Velvet Underground &amp; Nico<\/em> (1966) and <em>Lupe<\/em> (1965).&nbsp;<\/p>\n<p>Action on many levels with Superstar DJs including David Holmes, Bob Stanley\/Pete Wiggs (St Etienne), Mark Webber (Pulp) and BBC Radio 3\u2019s Richard Coles playing period pop, soul and opera.<\/p>\n<p>Plus special guest live performances and interventions.<\/p>\n<p><em>In association with Tate Magazine.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Alina Rudnitskaya\u2019s humanistic approach to documentary filmmaking often brings out the humour in her chosen subjects. As an introduction to her work, this programme depicts three diverse groups of contemporary Russian women.<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[109],"tags":[],"class_list":["post-3165","post","type-post","status-publish","format-standard","hentry","category-andy-warhol-tate"],"_links":{"self":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts\/3165","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/comments?post=3165"}],"version-history":[{"count":0,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts\/3165\/revisions"}],"wp:attachment":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/media?parent=3165"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/categories?post=3165"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/tags?post=3165"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}