{"id":3161,"date":"2002-03-19T18:30:57","date_gmt":"2002-03-19T18:30:57","guid":{"rendered":"http:\/\/markwebber.org.uk\/archive\/?p=3161"},"modified":"2018-01-25T15:01:23","modified_gmt":"2018-01-25T15:01:23","slug":"andy-warhol-tate-10","status":"publish","type":"post","link":"https:\/\/markwebber.org.uk\/archive\/2002\/03\/19\/andy-warhol-tate-10\/","title":{"rendered":"The Closet + Salvador Dali + The Velvet Underground &#038; Nico"},"content":{"rendered":"<p style=\"text-align: center;\">ngg_shortcode_0_placeholder<\/p>\n<p><strong>THE CLOSET + SALVADOR DALI + THE VELVET UNDERGROUND &amp; NICO<\/strong><br \/>\n<strong>Tuesday 19 March 2002, at 6:30pm<\/strong><br \/>\n<strong> London Tate Modern<\/strong><\/p>\n<p><em>The Velvet Underground and Nico special programme<\/em><\/p>\n<p><strong>Andy Warhol, The Closet, USA, 1965, 66 min<\/strong><br \/>\n<strong>Andy Warhol, Salvador Dali, USA, 1966, 22 min<\/strong><br \/>\n<strong>Andy Warhol, The Velvet Underground &amp; Nico, USA, 1966, 33 min (double screen)<\/strong><\/p>\n<p>For reasons which are not explained, Femme Fatale Nico and shy Randy Bourscheidt are two people living inside <em>The Closet<\/em>. The newly discovered <em>Salvador Dali<\/em> reel was used as a background to performances of the Exploding Plastic Inevitable, and consists of several <em>Screen Tests<\/em> and the legendary Whip Dance to accompany \u201cVenus in Furs\u201d.<em> The Velvet Underground &amp; Nico<\/em> shows the band rehearsing in the Factory, playing a unique extended improvisation which is eventually broken up by the New York Police Department.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Alina Rudnitskaya\u2019s humanistic approach to documentary filmmaking often brings out the humour in her chosen subjects. As an introduction to her work, this programme depicts three diverse groups of contemporary Russian women.<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[109],"tags":[],"class_list":["post-3161","post","type-post","status-publish","format-standard","hentry","category-andy-warhol-tate"],"_links":{"self":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts\/3161","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/comments?post=3161"}],"version-history":[{"count":0,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts\/3161\/revisions"}],"wp:attachment":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/media?parent=3161"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/categories?post=3161"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/tags?post=3161"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}