{"id":3149,"date":"2002-03-10T15:00:57","date_gmt":"2002-03-10T15:00:57","guid":{"rendered":"http:\/\/markwebber.org.uk\/archive\/?p=3149"},"modified":"2018-01-25T15:01:23","modified_gmt":"2018-01-25T15:01:23","slug":"andy-warhol-tate-7","status":"publish","type":"post","link":"https:\/\/markwebber.org.uk\/archive\/2002\/03\/10\/andy-warhol-tate-7\/","title":{"rendered":"Vinyl + My Hustler"},"content":{"rendered":"<p style=\"text-align: center;\">ngg_shortcode_0_placeholder<\/p>\n<p><strong>VINYL + MY HUSTLER<\/strong><br \/>\n<strong>Sunday 10 March 2002, at 3:00pm<\/strong><br \/>\n<strong> London Tate Modern<\/strong><\/p>\n<p><em>Factory favourites starring Gerard Malanga and Paul America.<\/em><\/p>\n<p><strong>Andy Warhol, Vinyl, USA, 1965, 66 min<\/strong><br \/>\n<strong>Andy Warhol, My Hustler, USA, 1965, 67 min<\/strong><\/p>\n<p>Based on an interpretation of Anthony Burgess\u2019 novel \u201cA Clockwork Orange\u201d, <em>Vinyl<\/em> has a claustrophobic, sado-masochistic script by Ronald Tavel. Gerard Malanga undergoes reconditioning for his transgressions as a juvenile delinquent. <em>My Hustler<\/em> is a first attempt at a more commercial film, with some concession towards conventional techniques. A sexual triangle competes for the attention of Paul America, a young stud ordered from the Dial-A-Hustler service.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Alina Rudnitskaya\u2019s humanistic approach to documentary filmmaking often brings out the humour in her chosen subjects. As an introduction to her work, this programme depicts three diverse groups of contemporary Russian women.<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[109],"tags":[],"class_list":["post-3149","post","type-post","status-publish","format-standard","hentry","category-andy-warhol-tate"],"_links":{"self":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts\/3149","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/comments?post=3149"}],"version-history":[{"count":0,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts\/3149\/revisions"}],"wp:attachment":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/media?parent=3149"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/categories?post=3149"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/tags?post=3149"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}