{"id":3145,"date":"2002-03-05T18:30:57","date_gmt":"2002-03-05T18:30:57","guid":{"rendered":"http:\/\/markwebber.org.uk\/archive\/?p=3145"},"modified":"2018-01-25T15:01:23","modified_gmt":"2018-01-25T15:01:23","slug":"andy-warhol-tate-6","status":"publish","type":"post","link":"https:\/\/markwebber.org.uk\/archive\/2002\/03\/05\/andy-warhol-tate-6\/","title":{"rendered":"Beauty #2 + Space"},"content":{"rendered":"<p style=\"text-align: center;\">ngg_shortcode_0_placeholder<\/p>\n<p><strong>BEAUTY #2 + SPACE<\/strong><br \/>\n<strong>Tuesday 5 March 2002, at 6:30pm<\/strong><br \/>\n<strong> London Tate Modern<\/strong><\/p>\n<p><em>Scenes from the life of Edie Sedgwick.<\/em><\/p>\n<p><strong>Andy Warhol, Beauty #2, USA, 1965, 66 min<\/strong><br \/>\n<strong>Andy Warhol, Space, USA, 1965, 67 min<\/strong><\/p>\n<p>Further portraits of socialite and muse Edie Sedgwick. In <em>Beauty #2<\/em> she auditions a new boyfriend as an off-screen acquaintance provokes her with snide comments and questions, initiating a complex psychological situation. <em>Space<\/em> begins with a planned scenario in which different characters read eight unconnected scripts, but soon degenerates into casual talk, food fights and folk singing.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Alina Rudnitskaya\u2019s humanistic approach to documentary filmmaking often brings out the humour in her chosen subjects. As an introduction to her work, this programme depicts three diverse groups of contemporary Russian women.<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[109],"tags":[],"class_list":["post-3145","post","type-post","status-publish","format-standard","hentry","category-andy-warhol-tate"],"_links":{"self":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts\/3145","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/comments?post=3145"}],"version-history":[{"count":0,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts\/3145\/revisions"}],"wp:attachment":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/media?parent=3145"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/categories?post=3145"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/tags?post=3145"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}