{"id":3141,"date":"2002-03-03T15:00:57","date_gmt":"2002-03-03T15:00:57","guid":{"rendered":"http:\/\/markwebber.org.uk\/archive\/?p=3141"},"modified":"2018-01-25T15:01:23","modified_gmt":"2018-01-25T15:01:23","slug":"andy-warhol-tate-5","status":"publish","type":"post","link":"https:\/\/markwebber.org.uk\/archive\/2002\/03\/03\/andy-warhol-tate-5\/","title":{"rendered":"Camp + Paul Swan"},"content":{"rendered":"<p style=\"text-align: center;\">ngg_shortcode_0_placeholder<\/p>\n<p><strong>CAMP + PAUL SWAN<\/strong><br \/>\n<strong>Sunday 3 March 2002, at 3:00pm<\/strong><br \/>\n<strong> London Tate Modern<\/strong><\/p>\n<p><em>Thoroughly Modern Vaudeville.<\/em><\/p>\n<p><strong>Andy Warhol, Camp, USA, 1965, 67 min<\/strong><br \/>\n<strong>Andy Warhol, Paul Swan, USA, 1965, 66 min<\/strong><\/p>\n<p>Paul Swan, a pioneer of modern dancing who had been frequently billed \u201cthe most beautiful man in the world\u201d, performs for the camera in his twilight years. His tragi-comic film brings to mind the uncompromising theatrical productions of Jack Smith. Both appear in <em>Camp<\/em>, an incredible underground variety show that also stars Baby Jane Holzer, Tally Brown, Mario Montez and Gerard Malanga.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Alina Rudnitskaya\u2019s humanistic approach to documentary filmmaking often brings out the humour in her chosen subjects. As an introduction to her work, this programme depicts three diverse groups of contemporary Russian women.<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[109],"tags":[],"class_list":["post-3141","post","type-post","status-publish","format-standard","hentry","category-andy-warhol-tate"],"_links":{"self":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts\/3141","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/comments?post=3141"}],"version-history":[{"count":0,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts\/3141\/revisions"}],"wp:attachment":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/media?parent=3141"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/categories?post=3141"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/tags?post=3141"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}