ngg_shortcode_0_placeholder<\/p>\n
BLOW JOB + HORSE<\/strong> The Factory as haven and outlet for homosexual expression.<\/em><\/p>\n Andy Warhol, Blow Job, USA, 1963, 41 min<\/strong> Warhol\u2019s Factory provided both a haven and outlet for overt homosexual expression. The notorious (but inoffensive) Blow Job<\/em> is a single sustained close-up of an anonymous boy\u2019s face as someone, out of camera range, performs fellatio on him: all of the action takes place below the frame. Horse<\/em> exposes the machinery of cinema as the lights, microphone and studio surroundings remain in shot. The film foreshadows Lonesome Cowboys<\/em> (1967-68) as a camp parody of the western, revealing the genre\u2019s concealed homoeroticism.<\/p>\n","protected":false},"excerpt":{"rendered":" Alina Rudnitskaya\u2019s humanistic approach to documentary filmmaking often brings out the humour in her chosen subjects. As an introduction to her work, this programme depicts three diverse groups of contemporary Russian women.<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[109],"tags":[],"class_list":["post-3129","post","type-post","status-publish","format-standard","hentry","category-andy-warhol-tate"],"_links":{"self":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts\/3129","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/comments?post=3129"}],"version-history":[{"count":0,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts\/3129\/revisions"}],"wp:attachment":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/media?parent=3129"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/categories?post=3129"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/tags?post=3129"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nTuesday 19 February 2002, at 6:30pm<\/strong>
\n London Tate Modern<\/strong><\/p>\n
\nAndy Warhol, Horse, USA, 1965, 100 min<\/strong><\/p>\n