{"id":3122,"date":"2002-02-17T15:00:57","date_gmt":"2002-02-17T15:00:57","guid":{"rendered":"http:\/\/markwebber.org.uk\/archive\/?p=3122"},"modified":"2018-01-25T15:01:24","modified_gmt":"2018-01-25T15:01:24","slug":"andy-warhol-tate-2","status":"publish","type":"post","link":"https:\/\/markwebber.org.uk\/archive\/2002\/02\/17\/andy-warhol-tate-2\/","title":{"rendered":"Eat + Henry Geldzahler"},"content":{"rendered":"<p style=\"text-align: center;\">ngg_shortcode_0_placeholder<\/p>\n<p><strong>EAT + HENRY GELDZAHLER<\/strong><br \/>\n<strong>Sunday 17 February 2002, at 3:00pm<\/strong><br \/>\n<strong> London Tate Modern<\/strong><\/p>\n<p><em>Minimal portraits of figures from the New York art world.<\/em><\/p>\n<p><strong>Andy Warhol, Eat, USA, 1964, 39 min<\/strong><br \/>\n<strong>Andy Warhol, Henry Geldzahler, USA, 1964, 99 min<\/strong><\/p>\n<p>Two slow motion, minimal portraits of figures from the New York art world. Artist Robert Indiana eats, and the former curator of the Metropolitan Museum of Art smokes a cigar. <em>Eat<\/em> consists of several short rolls assembled out of order so the consumed mushroom occasionally renews itself. During the course of his extended portrait Geldzahler\u2019s initial poise descends into discomfort and self-consciousness.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Alina Rudnitskaya\u2019s humanistic approach to documentary filmmaking often brings out the humour in her chosen subjects. As an introduction to her work, this programme depicts three diverse groups of contemporary Russian women.<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[109],"tags":[],"class_list":["post-3122","post","type-post","status-publish","format-standard","hentry","category-andy-warhol-tate"],"_links":{"self":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts\/3122","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/comments?post=3122"}],"version-history":[{"count":0,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts\/3122\/revisions"}],"wp:attachment":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/media?parent=3122"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/categories?post=3122"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/tags?post=3122"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}