{"id":3118,"date":"2002-02-12T18:30:57","date_gmt":"2002-02-12T18:30:57","guid":{"rendered":"http:\/\/markwebber.org.uk\/archive\/?p=3118"},"modified":"2018-01-25T15:01:24","modified_gmt":"2018-01-25T15:01:24","slug":"andy-warhol-tate-1","status":"publish","type":"post","link":"https:\/\/markwebber.org.uk\/archive\/2002\/02\/12\/andy-warhol-tate-1\/","title":{"rendered":"Kiss + Soap Opera"},"content":{"rendered":"<p style=\"text-align: center;\">ngg_shortcode_0_placeholder<\/p>\n<p><strong>KISS + SOAP OPERA<\/strong><br \/>\n<strong>Tuesday 12 February 2002, at 6:30pm<\/strong><br \/>\n<strong> London Tate Modern<\/strong><\/p>\n<p><em>Two early episodic films: unreal erotic slow motion and daytime tv for night-time people.<\/em><\/p>\n<p><strong>Andy Warhol, Kiss, USA, 1963, 54 min<\/strong><br \/>\n<strong>Andy Warhol, Soap Opera, USA, 1964, 46 min<\/strong><\/p>\n<p>Two episodic films which illustrate Warhol\u2019s unique early cinematic style. His silent movies were shot at sound speed and screened one-third the pace, imparting an unreal, poetic\/erotic slow motion. <em>Kiss<\/em> is a series of high contrast, static shots of couples kissing, each lasting the length of a roll of film. Warhol experiments with the soap opera format by punctuating his own dramatic sequences with actual television commercials.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Alina Rudnitskaya\u2019s humanistic approach to documentary filmmaking often brings out the humour in her chosen subjects. As an introduction to her work, this programme depicts three diverse groups of contemporary Russian women.<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[109],"tags":[],"class_list":["post-3118","post","type-post","status-publish","format-standard","hentry","category-andy-warhol-tate"],"_links":{"self":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts\/3118","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/comments?post=3118"}],"version-history":[{"count":0,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts\/3118\/revisions"}],"wp:attachment":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/media?parent=3118"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/categories?post=3118"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/tags?post=3118"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}