{"id":3042,"date":"2001-10-14T18:15:54","date_gmt":"2001-10-14T17:15:54","guid":{"rendered":"http:\/\/markwebber.org.uk\/archive\/?p=3042"},"modified":"2018-01-25T15:01:43","modified_gmt":"2018-01-25T15:01:43","slug":"phill-niblock","status":"publish","type":"post","link":"https:\/\/markwebber.org.uk\/archive\/2001\/10\/14\/phill-niblock\/","title":{"rendered":"Phill Niblock Live Performance"},"content":{"rendered":"<p style=\"text-align: center;\">ngg_shortcode_0_placeholder<\/p>\n<p><strong>PHILL NIBLOCK LIVE PERFORMANCE<\/strong><br \/>\n<strong>Sunday 14 October 2001, at 6:15pm<\/strong><br \/>\n<strong> London Barbican Pit Theatre<\/strong><\/p>\n<p>Intermedia artist Phill Niblock (USA) presents a concert of live and pre-recorded microtonal music with simultaneous triple video projection of sections from his long running <em>Movement of People Working<\/em> film series, shot in Mexico, Peru, Brasil, and China. Niblock makes thick, loud drones of music, filled with microtones of instrumental timbres that generate a multitude of difference tones in the performance space.<\/p>\n<p><strong>Phill Niblock, Hurdy Hurry (for Hurdy Gurdy)<\/strong><br \/>\n<strong> Phill Niblock, A Y U Live (aka As Yet Untitled) (for Baritone Voice)<\/strong><br \/>\n<strong> Phill Niblock, Guitar Too, For Four (for Electric Guitar)<\/strong><br \/>\n<strong> Phill Niblock, Pan Fried 25 (for Bowed Piano)<\/strong><\/p>\n<p><em>Guitar Too, For Four<\/em> will be augmented by a live electric guitar quartet featuring Jem Finer, Robert P. Lee, Matt Rogalsky and Mark Webber.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>PHILL NIBLOCK LIVE PERFORMANCE Sunday 14 October 2001, at 6:15pm London Barbican Pit Theatre Intermedia artist Phill Niblock (USA) presents a concert of live and pre-recorded microtonal music with simultaneous triple video projection of sections from his long running Movement of People Working film series, shot in Mexico, Peru, Brasil, and China. Niblock makes thick, [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[108],"tags":[],"class_list":["post-3042","post","type-post","status-publish","format-standard","hentry","category-cinema-auricular"],"_links":{"self":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts\/3042","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/comments?post=3042"}],"version-history":[{"count":0,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts\/3042\/revisions"}],"wp:attachment":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/media?parent=3042"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/categories?post=3042"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/tags?post=3042"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}