ngg_shortcode_0_placeholder<\/p>\n
OF SYNTHESIS AND SYNTHETICS<\/strong> Sounds emanating from the early electro-acoustic studios and the primitive\/pioneering synthesisers of Robert Moog and Don Buchla. An informal film screening punctuated by recordings of scarce and wonderful electronic music through the ages played by Mark Webber and Gregory Kurcewicz. Including Mick Jagger\u2019s mind-bending score for Kenneth Anger\u2019s Invocation of My Demon Brother<\/em> and rare recordings of Varese and Ussachevsky. Come hang out, watch films, listen to music, drink coffee, pretend to stroke your beard (though that\u2019s an entirely inappropriate thing to do).<\/p>\n Note: Where the soundtrack is not by the filmmaker, the composer\u2019s name is in square brackets<\/em><\/p>\n William Pye, Reflections, UK, 1972, colour, sound, 17 min<\/strong> OF SYNTHESIS AND SYNTHETICS Saturday 13 October 2001, at 3:00pm London Barbican Pit Theatre Sounds emanating from the early electro-acoustic studios and the primitive\/pioneering synthesisers of Robert Moog and Don Buchla. An informal film screening punctuated by recordings of scarce and wonderful electronic music through the ages played by Mark Webber and Gregory Kurcewicz. Including […]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[108],"tags":[],"class_list":["post-3035","post","type-post","status-publish","format-standard","hentry","category-cinema-auricular"],"_links":{"self":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts\/3035","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/comments?post=3035"}],"version-history":[{"count":0,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts\/3035\/revisions"}],"wp:attachment":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/media?parent=3035"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/categories?post=3035"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/tags?post=3035"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nSaturday 13 October 2001, at 3:00pm<\/strong>
\n London Barbican Pit Theatre<\/strong><\/p>\n
\nDavid Ringo, Balconies One, USA, c.1968, b\/w, sound, 6 min [Edgar Varese]
\nIan Hugo, Aphrodisiac I, USA, 1971, colour, sound, 6 min [David Horowicz]
\nAdam Beckett, Heavy-Light, USA, 1973, colour, sound, 7 min [Barry Schrader]
\nHollis Frampton, Special Effects (Hapax Legomena VII), USA, 1972, b\/w, sound, 11 min [Don Buchla & Victor Grauer]
\nLloyd Williams, Two Images For A Computer Piece (With Interlude), USA, 1970, b\/w, sound, 10 min [Vladimir Ussachevsky]
\nEd Emshwiller, Thermogenesis, USA, 1972, colour, sound, 12 min [Robert Moog & Jeff Slotnik]
\nTom De Witt, AtmosFear, USA, 1966, colour, sound, 6 min
\nKenneth Anger, Invocation Of My Demon Brother, USA, 1969, colour, sound, 11 min [Mick Jagger]
\nNorman McLaren, Synchromy, Canada, 1971, colour, sound, 7 min
\nDavid Rimmer, Migration, Canada, 1969, colour, sound, 12m [Phil Werren]<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"