ngg_shortcode_0_placeholder<\/p>\n
LITTLE STABS AT HAPPINESS<\/strong> Music and film club presented by Mark Webber, Gregory Kurcewicz, Zo\u00eb Miller and BR Wallers.<\/p>\n Saturday 13 December 1997<\/strong> Saturday 10 January 1998<\/strong> Friday 6 February 1998<\/strong> Saturday 21 March 1998<\/strong> Saturday 18 April 1998<\/strong> Saturday 9 May 1998<\/strong> Saturday 6 June 1998<\/strong> Saturday 11 July 1998<\/strong> Saturday 5 September 1998<\/strong> Saturday 14 November 1998<\/strong> Saturday 23 January 1999<\/strong> Saturday 27 February 1999<\/strong> Saturday 13 March 1999<\/strong> Saturday 17 April 1999<\/strong> Saturday 15 May 1999<\/strong> Saturday 19 June 1999<\/strong> Saturday 24 July 1999<\/strong> Saturday 14 August 1999<\/strong> Saturday 18 September 1999<\/strong> Saturday 16 October 1999<\/strong> Saturday 20 November 1999<\/strong> Saturday 18 December 1999<\/strong> Saturday 18 January 2000<\/strong> Saturday 19 February 2000<\/strong> Saturday 18 March 2000<\/strong> Saturday 22 April 2000<\/strong> Saturday 20 May 2000<\/strong> Saturday 10 June 2000<\/strong> Saturday 15 July 2000<\/strong> Saturday 12 August 2000<\/strong> Saturday 9 September 2000<\/strong> Saturday 21 October 2000<\/strong> Thursday 2 November 2000<\/strong> Alina Rudnitskaya\u2019s humanistic approach to documentary filmmaking often brings out the humour in her chosen subjects. As an introduction to her work, this programme depicts three diverse groups of contemporary Russian women.<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[101],"tags":[],"class_list":["post-2842","post","type-post","status-publish","format-standard","hentry","category-little-stabs-at-happiness"],"_links":{"self":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts\/2842","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/comments?post=2842"}],"version-history":[{"count":0,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts\/2842\/revisions"}],"wp:attachment":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/media?parent=2842"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/categories?post=2842"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/tags?post=2842"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nDecember 1997 \u2013 November 2000<\/strong>
\n London ICA<\/strong><\/p>\n
\nThe Beast (Walerian Borowcyk, 1975)
\nPlus three short films (no record of titles survives)<\/p>\n
\nDeep End (Jerzy Skolimowsky, 1970)
\nPlus: St Therese (Piero Heliczer, 1970); Fuzz Against Junk (Rubington, 1960s); Straight and Narrow (Tony & Beverly Conrad, 1970)<\/p>\n
\nVampyres (Jose Ramon Larraz, 1974)
\nPlus: Legend at Big Sur (Walter Chappell, 1974); That’s All (Simon Hartog, 1965); The Trag-Comedy of Marriage (Robert Pike, 1957)<\/p>\n
\nPutney Swope (Robert Downey, 1969)
\nPlus: Winter (David Brooks, 1964-66); T,O,U,C,H,I,N,G, (Paul Sharits, 1968); Science Fiction (Stan Vanderbeek, 1959)<\/p>\n
\nTwo Lane Blacktop (Monte Hellman, 1972)
\nPlus: Peaches and Cream (Charles Levine, 1969); Circles of Confusion (Bill Brand, 1974); Duo Concertantes (Larry Jordan, 1962-64)<\/p>\n
\nAndy Warhol’s Bad (Jed Johnston, 1976)
\nPlus: Ai (Love) (Taka Iimura, 1962); Synchromy (Norman McLaren, 1979); Grey Butterfat Rainbow (Bill Cote, 1967)
\n*** Bad<\/em> replaced the advertised film Twisted Nerve<\/em> (Roy Boulting, 1969), which was unavailable<\/p>\n
\nBlue Sunshine (Jeff Lieberman, 1978)
\nPlus: — —- (Thom Anderson & Malcom Brodwick, 1966); Plumb Line (Carolee Schneeman, 1970’s); A Lion’s Tale (Walter Ungerer, 1968)<\/p>\n
\nThe Tenant (Roman Polanski, 1976)
\nPlus: Little Stabs at Happiness (Ken Jacobs, 1959-63); Award Presentation to Andy Warhol (Jonas Mekas, 1964); An Experiment in Meditation (Storm De Hirsch, 1971)<\/p>\n
\nMyra Breckinridge (Michael Sarne, 1974)
\nPlus: Now (Dennis Irving, 1969); Unsere Afrikareise (Peter Kubelka, 1966); The Girl Chewing Gum (John Smith, 1976)<\/p>\n
\nGreetings (Brian De Palma, 1968)
\nPlus: Perfect Film (Ken Jacobs, 1986); Uptight … LA Is Burning … Shit (Ben Van Meter, 1969); New Improved Institutional Quality (Owen Land, 1976)<\/p>\n
\nElectra Glide in Blue (James William Guercio, 1973)
\nPlus: Meatdaze (Jeff Keen, 1968); The Itch-Scratch-Itch-Cycle (Manuel De Landa, 1977); Incontinence (Manuel De Landa, 1978); A Report (Bruce Connor, 1963-67)<\/p>\n
\nSecrets of Sex (Anthony Balch, 1970))
\nPlus: The Serpent (Scott Bartlett, 1971); The Petrified Dog (Sidney Peterson, 1948); Desistfilm (Stan Brakhage, 1954)<\/p>\n
\nThe Wicker Man (Robin Hardy, 1973)
\nPlus: Fog Line (Larry Gottheim, 1970); Rubber Cement (Robert Breer, 1975); On the Marriage Broker Joke (Owen Land, 1980)<\/p>\n
\nBonnie and Clyde (Arthur Penn, 1967)
\nPlus: Defense D’Afficher (Hy Hirsch, 1955); Raw Nerves (Manuel De Landa, 1979); Lapis (James Whitney, 1963-66)
\n*** This event took place at The Scala ***<\/p>\n
\nThe Hardcore Life (Paul Schrader, 1978)
\nPlus: Versailles (Chris Garratt, 1976); Standard Time (Michael Snow, 1967); The Candidates (Richard Preston, 1964)<\/p>\n
\nThe Last Detail (Hal Ashby, 1973)
\nPlus: Ciao Bella (Betzy Bromberg, 1978); A History of Motion In Motion (Stan Vanderbeek, 1966); 24 Frames per Second (Taka Iimura, 1975-78)<\/p>\n
\nJaws (Steven Spielberg, 1975)
\nPlus: Film No. 7 (Harry Smith, 1951); Nitsch (Irm & Ed Sommer, 1969); Valse Triste (Bruce Conner, 1977)<\/p>\n
\nOut of the Blue (Dennis Hopper, 1980)
\nPlus: San Francisco (Anthony Stern, 1968); Scorpio Rising (Kenneth Anger, 1963); Oblivion (Tom Chomont, 1969-70)<\/p>\n
\nFahrenheit 451 (Francois Truffaut, 1966)
\nPlus: Speak (John Latham, 1968-69); The Autumn Feast (Piero Heliczer, 1967); Remedial Reading Comprehension (George Landow, 1970)<\/p>\n
\nThe Last Picture Show (Peter Bogdanovich, 1971)
\nPlus: Threshold (Malcolm Le Grice, 1972); Film Form 1 (Stan Vanderbeek, 1970); We Shall March Again, (Lenny Lipton, 1965)<\/p>\n
\nHarold and Maude (Hal Ashby, 1971)
\nPlus: Surfacing the Thames (David Rimmer, 1970); In Quest of Meat Joy (Carolee Schneeman, 1968-69); Visions of a City (Larry Jordan, 1957)<\/p>\n
\nNight of the Hunter (Charles Laughton, 1955)
\nPlus short films and videos by Webber, Wallers and Kurcewicz.<\/p>\n
\nSilent Running (USA, 1968)
\n *** screened as part of an ICA event, not a regular Little Stabs At Happiness<\/em> event<\/p>\n
\nThe Parallax View (Alan J Pakula, 1974)
\nPlus: Shower Proof (Fred Drummond, 1968); Serious Remembered (Stan Brakhage, 1959); The Film that Rises to the Surface of Clarified Butter (Owen Land, 1968)<\/p>\n
\nStar 80 (Bob Fosse, 1983)
\nPlus: La Premiere Nuit (Georges Franju, 1957); Gyromorphosis (Hy Hirsch, 1955); I, an Actress (George Kuchar, 1977)<\/p>\n
\nKid Blue (James Frawley, 1973)
\nPlus: River of Stars (Bruce Wood, 1975,) Little Dog for Roger (Malcolm Le Grice, 1968); Valentin De Las Sierras (Bruce Baillie, 1967)<\/p>\n
\nTaking Off (Milos Foreman, 1971)
\nPlus: Globe (Ken Jacobs, 1973); Tantra 1 (Gordon Payne, 1969); High Stepping (Roger Hammond, 1974)<\/p>\n
\nMickey One (Arthur Penn, USA, 1965)
\nPlus: A & B in Ontario (Joyce Wieland, 1984); What’s Wrong with this Picture? (Owen Land (formerly known as George Landow), 1972); Pi\u00e8ce Touch\u00e9e (Martin Arnold, 1989)<\/p>\n
\nDays of Heaven (Terrence Malick, 1978)
\nPlus: Migration (David Rimmer, 1969); Barn Rushes (Larry Gottheim, 1971); 3\/60: Baum in Herbst (Kurt Kren, 1960)<\/p>\n
\nTheorem (Pier Paolo Pasolini, 1969)
\nPlus: Shutter (Taka Iimura, 1971); X (Vincent Grenier, 1976); Tung (Bruce Baillie, 1966)<\/p>\n
\nChristiane F. (Ulrich Edel, 1981)
\nPlus: Kino Da! (Henry Hills, 1981); Epileptic Seizure Comparison (Paul Sharits, 1976); An Aesthetic Quality (Vaughn Obern, 1967)<\/p>\n
\nWitchfinder General (Michael Reeves, 1968)
\nPlus: Le Sexe Enrage (Roland Lethem, 1970); The Visible Compendium (Larry Jordan, 1991); The Dead (Stan Brakhage, 1960)<\/p>\n
\nA Clockwork Orange (Stanley Kubrick, UK, 1971)
\nPlus: Boobs a Lot (Aggy Read, 1968); Marilyn Times Five (Bruce Conner, 1968-73); Flak (Graeme Ewens, 1970)<\/p>\n","protected":false},"excerpt":{"rendered":"