{"id":2170,"date":"1998-08-09T15:30:15","date_gmt":"1998-08-09T14:30:15","guid":{"rendered":"http:\/\/markwebber.org.uk\/archive\/?p=2170"},"modified":"2018-01-25T15:02:33","modified_gmt":"2018-01-25T15:02:33","slug":"andy-warhol-barbican-2","status":"publish","type":"post","link":"https:\/\/markwebber.org.uk\/archive\/1998\/08\/09\/andy-warhol-barbican-2\/","title":{"rendered":"The Films of Andy Warhol: 2"},"content":{"rendered":"<p style=\"text-align: center;\">ngg_shortcode_0_placeholder<\/p>\n<p><strong>THE FILMS OF ANDY WARHOL: 2<br \/>\nSunday 9 August 1998, at 3:30pm<br \/>\nLondon Barbican Centre<br \/>\n<\/strong><\/p>\n<p><strong>RESTAURANT<br \/>\nAndy Warhol, USA, 1965, 16mm, b\/w, sound, 33 min<\/strong><br \/>\nA filmed document of a staged dinner hosted by Warhol&#8217;s ill-fated starlet Edie Sedgwick at the newly opened L&#8217;Avventura restaurant in New York.<\/p>\n<p><strong>THE LOVES OF ONDINE<br \/>\nAndy Warhol, USA, 1967, 16mm, colour, sound, 85 min<\/strong><br \/>\nOriginally included as a part of <em>****<\/em>, Andy Warhol&#8217;s 25 hour movie, <em>The Loves of Ondine<\/em> consists of a series of encounters between Ondine and various women who try to &#8216;adjust&#8217; his sexual orientation, providing a platform for him to demonstrate his brilliant, misogynistic wit. Halfway through the film the story is punctuated by a notorious food fight sequence which was filmed in the house of Waldo Diaz Balart, brother-in-law of Fidel Castro.<\/p>\n<p><a href=\"#top\">Back to top<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Alina Rudnitskaya\u2019s humanistic approach to documentary filmmaking often brings out the humour in her chosen subjects. As an introduction to her work, this programme depicts three diverse groups of contemporary Russian women.<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[75],"tags":[],"class_list":["post-2170","post","type-post","status-publish","format-standard","hentry","category-andy-warhol-barbican"],"_links":{"self":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts\/2170","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/comments?post=2170"}],"version-history":[{"count":0,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts\/2170\/revisions"}],"wp:attachment":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/media?parent=2170"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/categories?post=2170"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/tags?post=2170"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}