{"id":2166,"date":"1998-08-08T15:30:45","date_gmt":"1998-08-08T14:30:45","guid":{"rendered":"http:\/\/markwebber.org.uk\/archive\/?p=2166"},"modified":"2018-01-25T15:02:33","modified_gmt":"2018-01-25T15:02:33","slug":"andy-warhol-barbican-1","status":"publish","type":"post","link":"https:\/\/markwebber.org.uk\/archive\/1998\/08\/08\/andy-warhol-barbican-1\/","title":{"rendered":"The Films of Andy Warhol: 1"},"content":{"rendered":"<p style=\"text-align: center;\">ngg_shortcode_0_placeholder<\/p>\n<p><strong>THE FILMS OF ANDY WARHOL: 1<\/strong><br \/>\n<strong>Saturday 8 August 1998, at 3:30pm<\/strong><br \/>\n<strong>London Barbican Centre<\/strong><\/p>\n<p><strong>CAMP<\/strong><br \/>\n<strong>Andy Warhol, USA, 1965, 16mm, b\/w, sound, 66 min<\/strong><br \/>\n<em>Camp<\/em> was made in the Factory and takes the form of a variety programme performed by various characters of the downtown scene.<\/p>\n<p><strong>THE VELVET UNDERGROUND AND NICO<\/strong><br \/>\n<strong>Andy Warhol, USA, 1966, 16mm, b\/w, sound, 67 min<\/strong><br \/>\nThis film shows the group rehearsing for their opening shows in the Exploding Plastic Inevitable. The rehearsal is interrupted by members of the New York City Polic Department who arrive in response to a telephone complaint about the noise. The film contains rarely heard unreleased music by the group.<\/p>\n<p><a href=\"#top\">Back to top<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Alina Rudnitskaya\u2019s humanistic approach to documentary filmmaking often brings out the humour in her chosen subjects. As an introduction to her work, this programme depicts three diverse groups of contemporary Russian women.<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[75],"tags":[],"class_list":["post-2166","post","type-post","status-publish","format-standard","hentry","category-andy-warhol-barbican"],"_links":{"self":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts\/2166","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/comments?post=2166"}],"version-history":[{"count":0,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts\/2166\/revisions"}],"wp:attachment":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/media?parent=2166"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/categories?post=2166"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/tags?post=2166"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}