{"id":1713,"date":"2012-10-10T12:00:54","date_gmt":"2012-10-10T11:00:54","guid":{"rendered":"http:\/\/markwebber.org.uk\/archive\/?p=1713"},"modified":"2018-01-26T11:45:28","modified_gmt":"2018-01-26T11:45:28","slug":"monument-film-installation","status":"publish","type":"post","link":"https:\/\/markwebber.org.uk\/archive\/2012\/10\/10\/monument-film-installation\/","title":{"rendered":"Monument Film Installation"},"content":{"rendered":"<p style=\"text-align: center;\">ngg_shortcode_0_placeholder<\/p>\n<p><strong>MONUMENT FILM INSTALLATION<br \/>\nWednesday 10 \u2013 Sunday 21 October 2012<br \/>\nLondon BFI Southbank Atrium<\/strong><\/p>\n<p><strong>Peter Kubelka, Monument Film, Austria, 2012, film installation<br \/>\n<\/strong>Kubelka first presented film as a three dimensional sculptural object in 1958. As an integral part of his new work Monument Film, the celluloid filmstrips of <em>Arnulf Rainer<\/em> (1960) and <em>Antiphon<\/em> (2012) will be exhibited on the walls of the Atrium at BFI Southbank, making manifest the relationship between space, time, and the physical material which runs through the projector.<\/p>\n<p><em>Admission Free. Open from 12pm to 9pm daily.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Alina Rudnitskaya\u2019s humanistic approach to documentary filmmaking often brings out the humour in her chosen subjects. As an introduction to her work, this programme depicts three diverse groups of contemporary Russian women.<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[61],"tags":[9,163],"class_list":["post-1713","post","type-post","status-publish","format-standard","hentry","category-london-film-festival-2012","tag-london-film-festival","tag-peter-kubelka"],"_links":{"self":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts\/1713","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/comments?post=1713"}],"version-history":[{"count":0,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts\/1713\/revisions"}],"wp:attachment":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/media?parent=1713"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/categories?post=1713"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/tags?post=1713"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}