{"id":1599,"date":"2010-10-25T10:00:24","date_gmt":"2010-10-25T09:00:24","guid":{"rendered":"http:\/\/markwebber.org.uk\/archive\/?p=1599"},"modified":"2018-01-25T14:53:42","modified_gmt":"2018-01-25T14:53:42","slug":"lewis-klahr-workshop","status":"publish","type":"post","link":"https:\/\/markwebber.org.uk\/archive\/2010\/10\/25\/lewis-klahr-workshop\/","title":{"rendered":"Lewis Klahr Workshop: Narrative Collage"},"content":{"rendered":"<p style=\"text-align: center;\">ngg_shortcode_0_placeholder<\/p>\n<p><strong>LEWIS KLAHR WORKSHOP: NARRATIVE COLLAGE<br \/>\nMonday 25 October 2010, from 10am to 5pm<br \/>\nLondon BFI Learning Space &amp; Studio<\/strong><\/p>\n<p>Drawing on his considerable experience as an artist, Lewis Klahr will lead a masterclass on how characters, stories and atmospheres can be developed with minimal resources. Following a participatory collage exercise using copies of the day\u2019s newspapers, Klahr will illustrate his creative process through a detailed analysis of his film <em>Pony Glass<\/em> (1998), a coming of age drama in which Superman\u2019s pal Jimmy Olsen undergoes a sexual identity crisis of epic proportions. The day will culminate in an exclusive preview of brand new works. Declared \u2018the reigning proponent of cut and paste\u2019 by critic J. Hoberman, Lewis Klahr has shown his films and digital at most major festivals and in three Whitney Biennials. He teaches directing and screenwriting at CalArts, has created effects and sequences for commercials and TV, and co-rewrote <em>The Mothman Prophesies<\/em> (2002). The workshop is a unique opportunity to explore collage, animation processes and narrative construction with a leading practitioner.<\/p>\n<p>Workshop Fee: \u00a325. Prior experience of filmmaking is not required. Limited to 25 participants. Please book early to avoid disappointment.<\/p>\n<p>The workshop will take place at BFI Southbank, in the Learning Space and Studio. Please note that an incorrect date for the workshop has been listed in the Festival brochure.<\/p>\n<p><em>Lewis Klahr will present his Prolix Satori series of recent videos on Sunday 24 October.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Alina Rudnitskaya\u2019s humanistic approach to documentary filmmaking often brings out the humour in her chosen subjects. As an introduction to her work, this programme depicts three diverse groups of contemporary Russian women.<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[59],"tags":[9],"class_list":["post-1599","post","type-post","status-publish","format-standard","hentry","category-london-film-festival-2010","tag-london-film-festival"],"_links":{"self":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts\/1599","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/comments?post=1599"}],"version-history":[{"count":0,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts\/1599\/revisions"}],"wp:attachment":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/media?parent=1599"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/categories?post=1599"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/tags?post=1599"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}