{"id":1283,"date":"2005-10-29T00:00:54","date_gmt":"2005-10-28T23:00:54","guid":{"rendered":"http:\/\/markwebber.org.uk\/archive\/?p=1283"},"modified":"2018-01-25T14:57:40","modified_gmt":"2018-01-25T14:57:40","slug":"london-film-festival-2005","status":"publish","type":"post","link":"https:\/\/markwebber.org.uk\/archive\/2005\/10\/29\/london-film-festival-2005\/","title":{"rendered":"London Film Festival 2005"},"content":{"rendered":"<p><a name=\"top\"><\/a><\/p>\n<p style=\"text-align: center;\">ngg_shortcode_0_placeholder<\/p>\n<p><b>THE TIMES BFI 49th LONDON FILM FESTIVAL<br \/>\n<\/b>Saturday 29 \u2013 Sunday 30 October 2005<br \/>\nLondon National Film Theatre<\/p>\n<p>The Times BFI London Film Festival will again present its Experimenta Avant-Garde Weekend, featuring a concentrated, international programme of artists\u2019 film and video. It is a unique opportunity to survey some of the most original and vital works made around the world in recent years, and our only annual chance to do so on such a scale in England.<\/p>\n<p>This year\u2019s \u2018avant-garde weekend\u2019 takes place on 29-30th October. From digital innovation to hand-crafted film-making, the five thematic compilations feature both established and emerging international artists, and incorporate animation, appropriation, abstract, personal, performance and political works. All the mixed programmes, plus selected features and the visionary documentaries of Vladimir Tyulkin, will be shown over two days, and we anticipate that several of the film-makers will be present.<\/p>\n<p>Outside of the weekend, the festival also features screenings of <i>13 Lakes<\/i> and <i>Ten Skies <\/i>by James Benning, William Greaves\u2019 <i>Symbiopsychetaxiplasm Take One<\/i> and its recent sequel <i>Take 2 1\/2<\/i>, and two programmes of archival restorations from <a href=\"http:\/\/anthologyfilmarchives.org\/\" target=\"_blank\" rel=\"noopener\">Anthology Film Archives<\/a> and <a href=\"http:\/\/www.oscars.org\/filmarchive\/\" target=\"_blank\" rel=\"noopener\">Academy Film Archive<\/a>, presented in association with <a href=\"http:\/\/lux.org.uk\/\" target=\"_blank\" rel=\"noopener\">LUX<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Alina Rudnitskaya\u2019s humanistic approach to documentary filmmaking often brings out the humour in her chosen subjects. As an introduction to her work, this programme depicts three diverse groups of contemporary Russian women.<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[49],"tags":[9],"class_list":["post-1283","post","type-post","status-publish","format-standard","hentry","category-london-film-festival-2005","tag-london-film-festival"],"_links":{"self":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts\/1283","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/comments?post=1283"}],"version-history":[{"count":0,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts\/1283\/revisions"}],"wp:attachment":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/media?parent=1283"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/categories?post=1283"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/tags?post=1283"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}