ngg_shortcode_0_placeholder<\/p>\n
PETER KUBELKA: WHAT IS FILM? 4
\n<\/i>Wednesday 14 November 2001, at 6:30pm
\n<\/i>London National Film Theatre NFT3<\/b><\/p>\n
THE REAL WORLD: A MYTH CREATED BY CINEMA<\/b><\/p>\n
\u201cOf the world we know only what art has taught us. In the last 100 years cinema has shaped a world, real for us, of which our ancestors could not have dreamed.\u201d<\/p>\n
Featuring selections from the following works:<\/i><\/p>\n
Marie Menken, Go, Go, Go!, USA, 1962-64, 11m
\nRobert Breer, Eyewash, USA, 1959, 3m
\nMichael Snow, See You Later \/ Au Revoir, Canada, 1990, 16m
\nFernand L\u00e9ger, Ballet Mecanique, France, 1923-24, excerpt
\nFr\u00e8res Lumi\u00e8re, Demolition D’un Mur, France, 1896, 1m
\nGeorges Kuchar, Hold Me While I\u2019m Naked, USA, 1966, 15m
\nGeorges Kuchar, Wild Night in El Reno, USA, 1977, 6m
\nLuis Bu\u00f1uel & Salvador Dal\u00ed, L’age D’or, Spain, 1930, excerpt<\/b><\/p>\n
The complete list of films in the repertory, and the themes covered, may be subject to spontaneous change during the course of the presentations.<\/i><\/p>\n","protected":false},"excerpt":{"rendered":"
Alina Rudnitskaya\u2019s humanistic approach to documentary filmmaking often brings out the humour in her chosen subjects. As an introduction to her work, this programme depicts three diverse groups of contemporary Russian women.<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[47],"tags":[9,163,48],"class_list":["post-1242","post","type-post","status-publish","format-standard","hentry","category-london-film-festival-2001","tag-london-film-festival","tag-peter-kubelka","tag-what-is-film"],"_links":{"self":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts\/1242","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/comments?post=1242"}],"version-history":[{"count":0,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts\/1242\/revisions"}],"wp:attachment":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/media?parent=1242"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/categories?post=1242"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/tags?post=1242"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}