{"id":1130,"date":"2002-11-17T16:15:46","date_gmt":"2002-11-17T16:15:46","guid":{"rendered":"http:\/\/markwebber.org.uk\/archive\/?p=1130"},"modified":"2018-01-25T15:00:42","modified_gmt":"2018-01-25T15:00:42","slug":"on-reflection","status":"publish","type":"post","link":"https:\/\/markwebber.org.uk\/archive\/2002\/11\/17\/on-reflection\/","title":{"rendered":"On Reflection"},"content":{"rendered":"<p><a name=\"top\"><\/a><\/p>\n<p style=\"text-align: center;\">ngg_shortcode_0_placeholder<\/p>\n<p><b>ON REFLECTION<br \/>\nSunday 17 November 2002, at 4:15pm<br \/>\nLondon National Film Theatre NFT3<\/b><\/p>\n<p><b>ON REFLECTION<\/b><\/p>\n<p><b>Eve Heller, Her Glacial Speed, USA, 2001, 5 min<br \/>\n<\/b>The world as seen in a teardrop of milk. \u2018I set out to make a film about how unwitting constellations of meaning rise to a surface of understanding at a pace outside of worldly time.\u2019<\/p>\n<p><b>Leighton Pierce, 37th &amp; Lex, USA, 2002, 4 min<br \/>\n<\/b>\u2018A brief impression triggers an emotion echoing with memories of the past and anticipations of the future.&nbsp; This quiet communication, a composition of image, sound, and text, reflects that feeling and invites its continuation.\u2019<\/p>\n<p><b>Phillip Hoffman, What These Ashes Wanted, Canada, 2001, 56 min<br \/>\n<\/b>A personal reflection on mortality, told through shared and private experiences.<br \/>\n\u2018<i>What These Ashes Wanted<\/i> places flesh on the poet Ann Carson\u2019s words, \u2018Death lines every moment of ordinary time\u2019. With this work Hoffman resides in an acutely intimate time, a daily practise of loss lived precariously between the terror of psychic disintegration and the provisional solace taken through public rituals of mourning \u2026 Not a story of surviving death, but rather, of living death through a heightening of the quotidian moments of every day experience.\u2019 (Toronto Images Festival, 2001)<\/p>\n<p><b>Masha Godavannya, The First Round Dance, Russia-USA, 2001, 3 min<br \/>\n<\/b>A fleeting look at neighbourhood children spending their time in the spring sunshine, film-strip hand tinted with iodine.<\/p>\n<p><i>Repeat Screening: Tuesday 19 November 2002, at 2pm, London NFT3. <\/i><\/p>\n<p><a href=\"#top\">Back to top<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Alina Rudnitskaya\u2019s humanistic approach to documentary filmmaking often brings out the humour in her chosen subjects. As an introduction to her work, this programme depicts three diverse groups of contemporary Russian women.<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[43],"tags":[9],"class_list":["post-1130","post","type-post","status-publish","format-standard","hentry","category-london-film-festival-2002","tag-london-film-festival"],"_links":{"self":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts\/1130","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/comments?post=1130"}],"version-history":[{"count":0,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts\/1130\/revisions"}],"wp:attachment":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/media?parent=1130"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/categories?post=1130"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/tags?post=1130"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}