{"id":1096,"date":"2002-11-09T12:00:50","date_gmt":"2002-11-09T12:00:50","guid":{"rendered":"http:\/\/markwebber.org.uk\/archive\/?p=1096"},"modified":"2018-01-25T15:00:59","modified_gmt":"2018-01-25T15:00:59","slug":"within-the-realms-of-abstraction","status":"publish","type":"post","link":"https:\/\/markwebber.org.uk\/archive\/2002\/11\/09\/within-the-realms-of-abstraction\/","title":{"rendered":"Within the Realms of Abstraction"},"content":{"rendered":"<p><a name=\"top\"><\/a><\/p>\n<p style=\"text-align: center;\">ngg_shortcode_0_placeholder<\/p>\n<p><b>WITHIN THE REALMS OF ABSTRACTION<br \/>\n<\/b><b>Saturday 9 November 2002, at 12pm<br \/>\nLondon National Film Theatre NFT3<br \/>\n<\/b><\/p>\n<p><b>Fred Worden, Automatic Writing 2, USA, 2000, 12 min<br \/>\n<\/b>Negotiating the mysterious zone where light and no-light flutter in a fecund equipoise: A home-made rocket to realms unknown to any movie camera or photo lens.<\/p>\n<p><b>Richard Reeves, 1:1, Canada, 2001, 5 min<br \/>\n<\/b>Cameraless animation about the 1:1 relationship between sound &amp; picture, scratched and painted onto 35mm film.<\/p>\n<p><b>Joost Rekveld, 23:2 Book of Mirrors, Netherlands, 2002, 12 min<br \/>\n<\/b>The multiplication of light beams through mirrors and kaleidoscopes. Music composed by Rozalie Hirs and performed by the Asko Ensemble.<\/p>\n<p><b>Jud Yalkut, Light Display: Color, USA, 2002, 7 min<br \/>\n<\/b>Analogue and digital transformations of footage shot of Laslo Moholy-Nagy\u2019s kinetic sculpture \u2018Light Display Machine\u2019.<\/p>\n<p><b>Fred Worden, The Or Cloud, USA, 2001, 6 min<br \/>\n<\/b>A guided adventure for the eyeballs and the mind; a rushing stream of articulated energy to resonate with the inner biological current.<\/p>\n<p><b>Goh Harada, Blaufilm, Japan-Germany, 2001, 10 min<br \/>\n<\/b>Hand-made \u2018imageless\u2019 film created using only blank film, transparent silicone and blue pigment.<\/p>\n<p><b>Stan Brakhage, Lovesong 4, USA, 2002, 7 min<br \/>\n<\/b>\u2018Composed of only four colours: Lavender, Purple, Green, and Turquoise. Their dance with the darkness suggests an inter-action of bodies.\u2019 Despite continued battles with ill health, Stan Brakhage continues to issue forth with exquisite hand-painted films.<\/p>\n<p><b>Pip Chodorov, Charlemagne 2: Pilzer, France, 2002, 22 min<br \/>\n<\/b>Footage of a private piano concert by Charlemagne Palestine is broken down into a meticulously structured flicker film through the optical printing of positive and negative frames. Each individual image corresponds to the notes played on the soundtrack (the live performance) by way of their audio\/visual frequency and rate of progression.<\/p>\n<p><i><\/i><i>Repeat Screening: Monday 11 November 2002, at 6:30pm, London NFT3<\/i><\/p>\n<p><a href=\"#top\">Back to top<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Alina Rudnitskaya\u2019s humanistic approach to documentary filmmaking often brings out the humour in her chosen subjects. As an introduction to her work, this programme depicts three diverse groups of contemporary Russian women.<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[43],"tags":[9],"class_list":["post-1096","post","type-post","status-publish","format-standard","hentry","category-london-film-festival-2002","tag-london-film-festival"],"_links":{"self":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts\/1096","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/comments?post=1096"}],"version-history":[{"count":0,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/posts\/1096\/revisions"}],"wp:attachment":[{"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/media?parent=1096"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/categories?post=1096"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/markwebber.org.uk\/archive\/wp-json\/wp\/v2\/tags?post=1096"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}