Jonas Mekas presents FLUX PARTY
JONAS MEKAS PRESENTS FLUX PARTY
London Rio Cinema
Friday 17 October 2008, from 11:15pm 'til late
Legendary artist-filmmaker Jonas Mekas presents FLUX PARTY featuring the complete FLUXUS film anthology as assembled by George Maciunas, rare Fluxus audio and surprises.
Fluxus Anthology title by George MaciunasIncludes films by Yoko Ono, Nam June Paik, Wolf Vostell, George Brecht, Dick Higgins, Robert Watts, John Cale, Chieko Shiomi, Paul Sharits and Ben Vautier. A special late night screening on the big screen of East London's splendid art deco picture palace.
Jonas Mekas will be in attendance to discuss Fluxus and his friend and fellow Lithuanian émigré George Maciunas. Drinks and Flux Cakes will be served.
Curated by Anne-Sophie Dinant and Mark Webber. Presented by the South London Gallery. With thanks to Benn Northover, Serpentine Gallery, Re:Voir and the Rio Cinema. Supported by the Lithuanian Ministry of Culture and Freedom Brewery.
Fluxfilm No. 16: Four (Yoko Ono, 1967)Friday 17 October 2008, from 11:15pm 'til late
JONAS MEKAS PRESENTS FLUX PARTY
FLUXFILM ANTHOLOGY
The most complete known version of the Fluxfilm Anthology.
Fluxfilm No. 1: Zen For Film, Nam June Paik, 1964, 20 min.
“Clear film, accumulating in time dust and scratches.”
Fluxfilm No. 2: Invocation of Canyons and Boulders, Dick Higgins, 1966, 3 min version.
“Mouth, eating motions.”
Fluxfilm No. 3: End After 9, George Maciunas, 1966, 1 min.
“Word & number gag, no camera.”
Fluxfilm No. 4: Disappearing Music For Face, Chieko Shiomi, 1966, 10 min.
“Transition from smile to no-smile, shot at 2000fr/sec. Camera shows only a CU of the mouth area.” Camera: Peter Moore
Fluxfilm No. 5: Blink, John Cavanaugh, 1966, 5 min.
“Flicker: White and black alternating frames.”
Fluxfilm No. 6: 9 Minutes, James Riddle, 1966, 9 min.
“Time counter, in seconds and minutes.”
Fluxfilm No. 7: 10 Feet, George Maciunas, 1966, 13 sec.
“Prestype on clear film measuring tape, 10ft. length. No camera. At the end of every foot of film numbers appear, 1, 2, etc to 10.”
Fluxfilm No. 8: 1000 Frames, George Maciunas, c.1966, 42 sec.
“Numerals on clear film from 1 to 1000.”
Fluxfilm No. 9: Eyeblink, Yoko Ono, 1966, 1 min.
“High speed camera, 200fr./sec. view of one eyeblink.” Camera: Peter Moore
Fluxfilm No. 10: ENTRANCE to EXIT, George Brecht, 1966, 7 min.
“A smooth linear transition from white, through greys to black, produced in developing tank. The ‘door sign’ ENTRANCE fades in, white letters on the black background, stays for a few seconds, then slowly fades into white. Five-minute fade into black and the title EXIT, which stays for a few seconds then fades into white.”
Fluxfilm No. 22: Shout (Jeff Perkins, 1966)Fluxfilm No. 11: Trace No. 22, Robert Watts, 1965, 1 min.
“X-ray sequence of mouth and throat; eating, salivating, speaking.”
Fluxfilm No. 12: Trace No. 23, Robert Watts, 1966, 3 min.
“Begins with a shot of a demarcation line on an asphalt tennis court. A hand points to the distant landscape, then numbers 408 and 409 appear on a female torso. The female then passes different decorated plastic hot dogs, banana shapes suggestively between her legs, through her arm pits, etc. Ends with an egg floating on water.”
Fluxfilm No. 13: Trace No. 24, Robert Watts, 1966, 3 min.
“Begins with a picture of Marilyn Monroe, then shifts to a female body, shot from belly button down, which is wriggling under piles of cellophane.”
Fluxfilm No. 14: One, Yoko Ono, 1966, 5 min.
“High speed camera 2000fr/sec. match striking fire.” Camera: Peter Moore.
Fluxfilm No. 15: Eye Blink, Yoko Ono, 1966, 1 min.
“Same as No. 9, probably.” Camera: Peter Moore.
Fluxfilm No. 16: Four, Yoko Ono, 1967, 6 min.
“Sequences of buttock movement as various performers walked. Filmed at constant distance.” With Susanna Campbell, Philip Corner, Anthony Cox, Bici Hendricks, Geoffrey Hendricks, Kyoko Ono, Yoko Ono, Ben Patterson, Jeff Perkins, Susan Polang, Jerry Sablo, Carolee Schneemann, James Tenney, Pieter Vanderbiek, Verne Williams. Camera: Jeff Perkins, Anthony Cox.
Fluxfilm No. 17: 5 O’Clock in the Morning, Pieter Vanderbiek, 1966, 5 min.
“A handful of rocks and chestnuts falling, filmed with high speed camera.” Camera: Peter Moore.
Fluxfilm No. 18: Smoking, Joe Jones, 1966, 6 min.
“Sequence of cigarette smoke shot with high speed camera, 2000fr/sec.” Camera: Peter Moore.
Fluxfilm No.19: Opus 74, version 2, Eric Andersen, 1966, 1 min.
“Single frame exposures, color. Different image each frame, various items in the room, etc.”
Fluxfilm No. 20: ARTYPE, George Maciunas, 1966, 4 min.
“Artype patterns, intended for loops.” Benday dot patterns. Dots, lines. “Screens, wavy lines, parallel lines, etc. on clear film. No camera.”
Fluxfilm No. 22: Shout, Jeff Perkins, 1966, 3 min.
“Close-ups of two faces, shouting at each other.” Starring Jeff Perkins and Anthony Cox. Camera: Yoko Ono.
Fluxfilm No. 23: Sun in Your Head, Wolf Vostell, 1963, 6 min.
“Single Frame sequences of TV or film images, with periodic distortions of the image. The images are airplanes, women men interspersed with pictures of texts like: ‘silence, genius at work’ and ‘ich liebe dich.’ The end credit is ‘Television décollage, Cologne, 1963’.” Camera: Edo Jansen.
Fluxfilm No. 24: Readymade, Albert Fine, 1966, 45 sec.
“Color test strip from developing tank.”
Fluxfilm No. 25: The Evil Faerie, George Landow, 1966, 30 sec.
“A man on the roof making flying gestures with his hands. Film is preceded by a picture of an object of ‘L’ shape shakingly moving. At the end of the film, image of ‘Kodak girl’ briefly appears.” With Steven M. Zinc.
Fluxfilm No. 26: Sears Catalogue 1-3 (Paul Sharits, 1965)Fluxfilm No. 26: Sears Catalogue 1-3, Paul Sharits, 1965, 28 sec.
“Pages from Sears catalogue, single frame exp.”
Fluxfilm No. 27: Dots 1 & 2, Paul Sharits, 1965, 46 sec.
“Single frame exposures of dot-screens.”
Fluxfilm No. 28: Wrist Trick, Paul Sharits, 1965, 28 sec.
“Various gestures of hand held razorblade, single frame exposures.”
Fluxfilm No Number: Unrolling Event, Paul Sharits, 1965, 5 sec.
“Toilet paper event, single frame exposures.”
Fluxfilm No. 29: Word Movie, Paul Sharits, 1965, 4 min.
“Single frame exposures of words, color.”
Fluxfilm No. 30: Dance, Albert Fine, 1966, 2 min.
“Face Smiling. Hammering a brick. CU of an ear (moving?). Face twitching. Dancing on one leg. Rolls, twitches on the floor. Boxes the wall.”
Fluxfilm No. 31: Police Car, John Cale, 1966, 1 min.
“Underexposed sequence of blinking lights on a police car.”
Fluxfilm No. 36: Fluxfilm No. 36, Peter Kennedy & Mike Parr, 1970, 3 min.
“Tips of feet walking at the edge of frame, all around the frame.”
Fluxfilm No. 37: Fluxfilm No. 37, Peter Kennedy & Mike Parr, 1970, 2 min.
“Face going out of focus by layering sheets of plastic between camera and subject.”
Fluxfilm No. 38: Jen e vois rien Je n’entends rien Jen e dis rien, Ben Vautier, 1965, 5 min.
“Seeing, Hearing, Saying Nothing. Ben stands with ears, eyes, mouth bandaged.”
Fluxfilm No. 39: La traverse du port de Nice á la nage, Ben Vautier, 1963, 2 min
“Swimming across Nice harbour fully clothed. Ben swims across a bay in Nice.”
Fluxfilm No. 40: Fair un effort, Ben Vautier, 1969, 2 min.
“Lifting and holding up a chest of drawers.”
Fluxfilm No. 41: Regardez moi cela suffit, Ben Vautier. 1962, 3 min.
“Sitting on a promenade in nice with a sign: Watch me, that’s all.”
at
Rio Cinema
107 Kingsland High Street, Dalston, London, E8 2PB
MAP OF AREA
Nearest Train: Dalston Kingsland (London Overground)
Buses: 30, 38, 75, 149, 242, 243
Night Buses: N38, N149, N242, N243
Tickets: £6 (drinks included), booking recommended
Box Office: 020 7241 9410
www.riocinema.org.uk
www.southlondongallery.org
London Rio Cinema
Friday 17 October 2008, from 11:15pm 'til late
Legendary artist-filmmaker Jonas Mekas presents FLUX PARTY featuring the complete FLUXUS film anthology as assembled by George Maciunas, rare Fluxus audio and surprises.
Fluxus Anthology title by George MaciunasJonas Mekas will be in attendance to discuss Fluxus and his friend and fellow Lithuanian émigré George Maciunas. Drinks and Flux Cakes will be served.
Curated by Anne-Sophie Dinant and Mark Webber. Presented by the South London Gallery. With thanks to Benn Northover, Serpentine Gallery, Re:Voir and the Rio Cinema. Supported by the Lithuanian Ministry of Culture and Freedom Brewery.
Fluxfilm No. 16: Four (Yoko Ono, 1967)JONAS MEKAS PRESENTS FLUX PARTY
FLUXFILM ANTHOLOGY
The most complete known version of the Fluxfilm Anthology.
Fluxfilm No. 1: Zen For Film, Nam June Paik, 1964, 20 min.
“Clear film, accumulating in time dust and scratches.”
Fluxfilm No. 2: Invocation of Canyons and Boulders, Dick Higgins, 1966, 3 min version.
“Mouth, eating motions.”
Fluxfilm No. 3: End After 9, George Maciunas, 1966, 1 min.
“Word & number gag, no camera.”
Fluxfilm No. 4: Disappearing Music For Face, Chieko Shiomi, 1966, 10 min.
“Transition from smile to no-smile, shot at 2000fr/sec. Camera shows only a CU of the mouth area.” Camera: Peter Moore
Fluxfilm No. 5: Blink, John Cavanaugh, 1966, 5 min.
“Flicker: White and black alternating frames.”
Fluxfilm No. 6: 9 Minutes, James Riddle, 1966, 9 min.
“Time counter, in seconds and minutes.”
Fluxfilm No. 7: 10 Feet, George Maciunas, 1966, 13 sec.
“Prestype on clear film measuring tape, 10ft. length. No camera. At the end of every foot of film numbers appear, 1, 2, etc to 10.”
Fluxfilm No. 8: 1000 Frames, George Maciunas, c.1966, 42 sec.
“Numerals on clear film from 1 to 1000.”
Fluxfilm No. 9: Eyeblink, Yoko Ono, 1966, 1 min.
“High speed camera, 200fr./sec. view of one eyeblink.” Camera: Peter Moore
Fluxfilm No. 10: ENTRANCE to EXIT, George Brecht, 1966, 7 min.
“A smooth linear transition from white, through greys to black, produced in developing tank. The ‘door sign’ ENTRANCE fades in, white letters on the black background, stays for a few seconds, then slowly fades into white. Five-minute fade into black and the title EXIT, which stays for a few seconds then fades into white.”
Fluxfilm No. 22: Shout (Jeff Perkins, 1966)“X-ray sequence of mouth and throat; eating, salivating, speaking.”
Fluxfilm No. 12: Trace No. 23, Robert Watts, 1966, 3 min.
“Begins with a shot of a demarcation line on an asphalt tennis court. A hand points to the distant landscape, then numbers 408 and 409 appear on a female torso. The female then passes different decorated plastic hot dogs, banana shapes suggestively between her legs, through her arm pits, etc. Ends with an egg floating on water.”
Fluxfilm No. 13: Trace No. 24, Robert Watts, 1966, 3 min.
“Begins with a picture of Marilyn Monroe, then shifts to a female body, shot from belly button down, which is wriggling under piles of cellophane.”
Fluxfilm No. 14: One, Yoko Ono, 1966, 5 min.
“High speed camera 2000fr/sec. match striking fire.” Camera: Peter Moore.
Fluxfilm No. 15: Eye Blink, Yoko Ono, 1966, 1 min.
“Same as No. 9, probably.” Camera: Peter Moore.
Fluxfilm No. 16: Four, Yoko Ono, 1967, 6 min.
“Sequences of buttock movement as various performers walked. Filmed at constant distance.” With Susanna Campbell, Philip Corner, Anthony Cox, Bici Hendricks, Geoffrey Hendricks, Kyoko Ono, Yoko Ono, Ben Patterson, Jeff Perkins, Susan Polang, Jerry Sablo, Carolee Schneemann, James Tenney, Pieter Vanderbiek, Verne Williams. Camera: Jeff Perkins, Anthony Cox.
Fluxfilm No. 17: 5 O’Clock in the Morning, Pieter Vanderbiek, 1966, 5 min.
“A handful of rocks and chestnuts falling, filmed with high speed camera.” Camera: Peter Moore.
Fluxfilm No. 18: Smoking, Joe Jones, 1966, 6 min.
“Sequence of cigarette smoke shot with high speed camera, 2000fr/sec.” Camera: Peter Moore.
Fluxfilm No.19: Opus 74, version 2, Eric Andersen, 1966, 1 min.
“Single frame exposures, color. Different image each frame, various items in the room, etc.”
Fluxfilm No. 20: ARTYPE, George Maciunas, 1966, 4 min.
“Artype patterns, intended for loops.” Benday dot patterns. Dots, lines. “Screens, wavy lines, parallel lines, etc. on clear film. No camera.”
Fluxfilm No. 22: Shout, Jeff Perkins, 1966, 3 min.
“Close-ups of two faces, shouting at each other.” Starring Jeff Perkins and Anthony Cox. Camera: Yoko Ono.
Fluxfilm No. 23: Sun in Your Head, Wolf Vostell, 1963, 6 min.
“Single Frame sequences of TV or film images, with periodic distortions of the image. The images are airplanes, women men interspersed with pictures of texts like: ‘silence, genius at work’ and ‘ich liebe dich.’ The end credit is ‘Television décollage, Cologne, 1963’.” Camera: Edo Jansen.
Fluxfilm No. 24: Readymade, Albert Fine, 1966, 45 sec.
“Color test strip from developing tank.”
Fluxfilm No. 25: The Evil Faerie, George Landow, 1966, 30 sec.
“A man on the roof making flying gestures with his hands. Film is preceded by a picture of an object of ‘L’ shape shakingly moving. At the end of the film, image of ‘Kodak girl’ briefly appears.” With Steven M. Zinc.
Fluxfilm No. 26: Sears Catalogue 1-3 (Paul Sharits, 1965)“Pages from Sears catalogue, single frame exp.”
Fluxfilm No. 27: Dots 1 & 2, Paul Sharits, 1965, 46 sec.
“Single frame exposures of dot-screens.”
Fluxfilm No. 28: Wrist Trick, Paul Sharits, 1965, 28 sec.
“Various gestures of hand held razorblade, single frame exposures.”
Fluxfilm No Number: Unrolling Event, Paul Sharits, 1965, 5 sec.
“Toilet paper event, single frame exposures.”
Fluxfilm No. 29: Word Movie, Paul Sharits, 1965, 4 min.
“Single frame exposures of words, color.”
Fluxfilm No. 30: Dance, Albert Fine, 1966, 2 min.
“Face Smiling. Hammering a brick. CU of an ear (moving?). Face twitching. Dancing on one leg. Rolls, twitches on the floor. Boxes the wall.”
Fluxfilm No. 31: Police Car, John Cale, 1966, 1 min.
“Underexposed sequence of blinking lights on a police car.”
Fluxfilm No. 36: Fluxfilm No. 36, Peter Kennedy & Mike Parr, 1970, 3 min.
“Tips of feet walking at the edge of frame, all around the frame.”
Fluxfilm No. 37: Fluxfilm No. 37, Peter Kennedy & Mike Parr, 1970, 2 min.
“Face going out of focus by layering sheets of plastic between camera and subject.”
Fluxfilm No. 38: Jen e vois rien Je n’entends rien Jen e dis rien, Ben Vautier, 1965, 5 min.
“Seeing, Hearing, Saying Nothing. Ben stands with ears, eyes, mouth bandaged.”
Fluxfilm No. 39: La traverse du port de Nice á la nage, Ben Vautier, 1963, 2 min
“Swimming across Nice harbour fully clothed. Ben swims across a bay in Nice.”
Fluxfilm No. 40: Fair un effort, Ben Vautier, 1969, 2 min.
“Lifting and holding up a chest of drawers.”
Fluxfilm No. 41: Regardez moi cela suffit, Ben Vautier. 1962, 3 min.
“Sitting on a promenade in nice with a sign: Watch me, that’s all.”
at
Rio Cinema
107 Kingsland High Street, Dalston, London, E8 2PB
MAP OF AREA
Nearest Train: Dalston Kingsland (London Overground)
Buses: 30, 38, 75, 149, 242, 243
Night Buses: N38, N149, N242, N243
Tickets: £6 (drinks included), booking recommended
Box Office: 020 7241 9410
www.riocinema.org.uk
www.southlondongallery.org
SUBSCRIBE to the SECRET CINEMA email group
posted by Secret Cinema at 10/17/2008 11:15:00 PM
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