Analogue
ANALOGUE:
PIONEERING VIDEO FROM THE UK, CANADA AND POLAND (1968-88)
London Tate Modern & Tate Britain
24 November - 2 November 2006
Through a series of exhibitions, screenings, performances and discussions Analogue, aims to illuminate the early histories of artists' video, linking the work of artists in the UK, Canada and Poland in order to broaden an understanding of how, in the course of thirty years, a versatile and politically charged medium made the transition from the margins to the mainstream of contemporary practice.
Analogue has been developed by Catherine Elwes and Dr Chris Meigh-Andrews in collaboration with Professor Lisa Steele, Peggy Gale and Tate.
Monitor 1 (Steve Partridge, 1975)
Friday 24 November 2006, at 3pm
ANALOGUE: PIONEERING ARTISTS' VIDEO FROM POLAND (1968–88)
A Panel Discussion
This discussion highlights Poland’s significant and pioneering contribution to video art. It features artists Jozef Robakowski, Zbigniew Libera and Marysia Lewandowska; Dr Lukasz Ronduda, Curator of Film and Video at the Centre for Contemporary Art in Warsaw; and Tate curator Stuart Comer.
Tickets: £5, booking recommended
Box Office: 020 7887 8888
www.tate.org.uk
Tate Modern, Bankside, London, SE1 9TG
Nearest Tube: Southwark / London Bridge / Blackfriars
MAP OF AREA
Video P (Pavel Kwiek, 1974)
Friday 24 November 2006, at 7pm
ANALOGUE: PIONEERING ARTISTS' VIDEO FROM POLAND (1968–89)
Screening
This screening forms a crucial part of a tripartite event taking place over two consecutive weekends at Tate Britain and Tate Modern, presenting seminal early video from the UK, Canada and Poland. Video art appeared in Poland in the early 1970s within the creative community known as the Workshop of the Film Form. The Workshop’s open, multidisciplinary nature and its members’ fundamental, shared interest in new media inspired them to adopt video as the primary medium for their activities almost as soon as the appropriate technology appeared. Members also possessed an analytical stance that compelled them to explore and reveal the inherent qualities of the media they used. Thus, this other art of the moving image – apart from cinema – became the focus of their singular, artistic exploratory interest, an interest they directed toward the structural and expressive qualities of the medium.
Pawel Kwiek, Video A, 1974, 8.30 min
Pawel Kwiek, Video C, 1974, 8.30 min
Janusz Kolodrubiec, Transmisja, 1977, 3 min
Janusz Szczerek, Disturbance, 1977, 6 min
Janusz Szczerek, Sumberge Messiah, 1984, 6 min
Zbigniew Libera, jak tresuje się dziewczynki, 1986, 16 min
Jerzy Truszkowski, Pozegnanie Europy, 1987, 14 min
Jozef Robakowski, Moje Videomasochizmy, 1989–90, 5 min
Jozef Robakowski, Taniec z drzewami, 1985, 2.30 min
Jozef Robakowski, Boli mnie moja noga, 1989, 3 min
Jozef Robakowski, Pieśni nastrojów, 1988, 2 min
Adam Rzepecki, Every dog has his day, 1989, 5 min
Tickets: £4, booking recommended
Box Office: 020 7887 8888
www.tate.org.uk
Tate Modern, Bankside, London, SE1 9TG
Nearest Tube: Southwark / London Bridge / Blackfriars
MAP OF AREA
Pieces I Never Did (David Critchley, 1979)
Friday 1 December 2006, from 6pm
LATE AT TATE BRITAIN: DECEMBER
VAMP (Video and Music Performers), video performance, Duveen Galleries
After a twenty-five-year hiatuses, VAMP are performing again. The group were the first to perform integrated video and audio works using the Videokalos image-processing synthesizer, developed and built by Donebauer in collaboration with Monkhouse in the mid 1970s. The artists include Simon Desorgher on flute and electronics, Peter Donebauer on Videoakalos synthesiser, Richard Monkhouse on Vector Pattern Generator and Michael Orniston on the Mongolian horse-head fiddle with Mongolian overtone singing.
Kevin Atherton, In Two Minds, video performance, Clore Auditorium
In Two Minds - Past Version consists of the fifty-five-year-old Kevin Atherton answering questions put to him by his twenty-seven-year-old, pre-recorded self. The resulting performance is a humorous and insightful examination of 1970s video art but as it progresses, becomes a poignant reflection on what has happened in the intervening twenty-eight years.
Continuous playback of selected single screen tapes, Clore Gallery Foyer
This event is free, no bookings taken
www.tate.org.uk
Tate Britain, Millbank, London, SW1P 4RG
Nearest Tube: Pimlico
MAP OF AREA
Sackville I’m Yours (Colin Campbell, 1972)
Saturday 2 December 2006, from 10am to 6pm
ANALOGUE:
PIONEERING ARTISTS' VIDEO FROM THE UK & CANADA (1968-88)
Symposium & Screenings
This symposium includes discussions with the curators Catherine Elwes, Dr. Chris Meigh-Andrews and Peggy Gale and contributing artists David Critchley and Tamara Krikorian, chaired by A.L. Rees and the screening of familiar and forgotten video work from the UK and Canada. The event features work by General Idea, David Hall, Mona Hatoum and Cerith Wyn Evans which reflect the period's social realities and questions mainstream popular culture and fine art traditions.
10am SCREENINGS
Four one hour programmes of work by pioneering UK and Canadian artists.
UK: PROGRAMME 1
David Critchley, Pieces I Never Did (extract), 1979, 4.50 min
Marceline Mori, Second and Third Identity, 1977, 4 min
Akiko Hada, Oi Hoi Bang Bang!, 1988, 6 min
Stuart Marshall, Distinct (extract), 1979, 3.36 min
Sera Furneaux, Lessness (extract), 1986, 3.30 min
Chris Meigh-Andrews, Interlude: (Homage to Bug’s Bunny), 1983, 4 min
Judith Goddard. Electron, 1987, 5 min
Marty St James & Ann Wilson, Beatnik, 1984, 5 min
Pratibha Parmar, Sari Red (extract), 1988, 5.44 min
John Scarlett-Davis, Chat Rap (Volker), 1983, (extract), 2.10 min
Mona Hatoum, Measures of Distance (extract), 1988, 5 min
Tina Keane, Demolition/Escape (extract), 1983, 4 min
Gorilla Tapes, The Commander in Chief, 1985, 4 min
UK: PROGRAMME 2
Mick Hartney, State of Division, 1979, 6 min
Mike Stubbs, Greetings from the Cape of Good Hope, 1985, 5 min
Cerith Wyn-Evans, Degrees of Blindness (extract), 1988, 5.10 min
George Barber, Brandson, 1985, 4 min
Katharine Meynell, Medusa (extract), 1988, 4.15 min
Pictorial Heroes, Reflections on the Art of the State (extract), 1988, 4 min
John Hopkins, Video Space (extract), 1970, 5 min
Steve Littman, Crisps, 1982, 4 min
Catherine Elwes, Kensington Gore (extract), 1980, 4 min
Jeremy Welsh, I.O.D (extract), 1984, 4.08 min
Ian Bourn, The Wedding Speech, 1978, 5 min
Steve Hawley, Extent of Three Bells, 1981, 4 min
Graham Young, Accidents in the Home: Gas Fires no. 17, 1984, 4 min
CANADA: PROGRAMME 1
Murray, Keeping on Top of Song (installation), 1973, 17-min loop
Pierre Falardeau & Julien Poulin,
Continuons le Combat (extract), 1971, 10 min
Colin Campbell, Sackville I’m Yours (extract), 1972, 6 min
David Askevold,
My Recall of an Imprint of a Hypothetical Jungle, 1973, 5.30 min
Jeff Spalding, VideoWash (extract), 1973, 5 min
Eric Cameron, Contact Piece: A Nude Model (Donna) (extract), 1973, 6 min
Lisa Steele, Birthday Suit, 1974, 12 min
Rodney Werden, Say, 1978, 3 min
Paul Wong, 60 Unit Bruise, 1976, 4.30 min
Daniel Dion & Phillippe Poloni, Division de la Nature, 1981, 5 min
CANADA: PROGRAMME 2
General Idea, Pilot (extract), 1977, 5 min
Tom Sherman, Televisions Human Nature (extract), 1977, 9 min
Alex Poruchnyk, Live Wire, 1982, 5.50 min
Jayce Salloum, In the Absence of Heroes (extract), 1984, 5 min
Su Rynard, A Tape About Memory, 1985, 3.30 min
Vera Frenkel, Last Screening Room (extract), 1984, 9.45 min
Robert Morin, Thief Lives in Hell, 1984, 19:40 min
4:30pm PANEL DISCUSSIOON
With Peggy Gale, Catherine Elwes, Chris Meigh-Andrews, David Critchley and Tamara Krikorian. Chaired by A.L. Rees.
Tickets: £25 (£15 concessions), booking required
Box Office: 020 7887 8888
www.tate.org.uk
Tate Britain, Millbank, London, SW1P 4RG
Nearest Tube: Pimlico
MAP OF AREA
...
ANALOGUE:
Pioneering Video from the UK, Canada and Poland (1968-88)
Polish programme curated by Lukasz Ronduda.
Canadian programme curated by Lisa Steele and Peggy Gale.
UK programme curated by Catherine Elwes and Chris Meigh-Andrews.
Funded by Arts Council England, the Canada Council for the Arts, the Polish Cultural Institute with support from Camberwell College of the Arts, UAL and The Electronic & Digital Art Unit (EDAU), University of Central Lancashire.
ANALOGUE
PIONEERING VIDEO FROM THE UK, CANADA AND POLAND (1968-88)
London Tate Modern & Tate Britain
24 November - 2 November 2006
Through a series of exhibitions, screenings, performances and discussions Analogue, aims to illuminate the early histories of artists' video, linking the work of artists in the UK, Canada and Poland in order to broaden an understanding of how, in the course of thirty years, a versatile and politically charged medium made the transition from the margins to the mainstream of contemporary practice.
Analogue has been developed by Catherine Elwes and Dr Chris Meigh-Andrews in collaboration with Professor Lisa Steele, Peggy Gale and Tate.
Monitor 1 (Steve Partridge, 1975)ANALOGUE: PIONEERING ARTISTS' VIDEO FROM POLAND (1968–88)
A Panel Discussion
This discussion highlights Poland’s significant and pioneering contribution to video art. It features artists Jozef Robakowski, Zbigniew Libera and Marysia Lewandowska; Dr Lukasz Ronduda, Curator of Film and Video at the Centre for Contemporary Art in Warsaw; and Tate curator Stuart Comer.
Tickets: £5, booking recommended
Box Office: 020 7887 8888
www.tate.org.uk
Tate Modern, Bankside, London, SE1 9TG
Nearest Tube: Southwark / London Bridge / Blackfriars
MAP OF AREA
Video P (Pavel Kwiek, 1974)ANALOGUE: PIONEERING ARTISTS' VIDEO FROM POLAND (1968–89)
Screening
This screening forms a crucial part of a tripartite event taking place over two consecutive weekends at Tate Britain and Tate Modern, presenting seminal early video from the UK, Canada and Poland. Video art appeared in Poland in the early 1970s within the creative community known as the Workshop of the Film Form. The Workshop’s open, multidisciplinary nature and its members’ fundamental, shared interest in new media inspired them to adopt video as the primary medium for their activities almost as soon as the appropriate technology appeared. Members also possessed an analytical stance that compelled them to explore and reveal the inherent qualities of the media they used. Thus, this other art of the moving image – apart from cinema – became the focus of their singular, artistic exploratory interest, an interest they directed toward the structural and expressive qualities of the medium.
Pawel Kwiek, Video A, 1974, 8.30 min
Pawel Kwiek, Video C, 1974, 8.30 min
Janusz Kolodrubiec, Transmisja, 1977, 3 min
Janusz Szczerek, Disturbance, 1977, 6 min
Janusz Szczerek, Sumberge Messiah, 1984, 6 min
Zbigniew Libera, jak tresuje się dziewczynki, 1986, 16 min
Jerzy Truszkowski, Pozegnanie Europy, 1987, 14 min
Jozef Robakowski, Moje Videomasochizmy, 1989–90, 5 min
Jozef Robakowski, Taniec z drzewami, 1985, 2.30 min
Jozef Robakowski, Boli mnie moja noga, 1989, 3 min
Jozef Robakowski, Pieśni nastrojów, 1988, 2 min
Adam Rzepecki, Every dog has his day, 1989, 5 min
Tickets: £4, booking recommended
Box Office: 020 7887 8888
www.tate.org.uk
Tate Modern, Bankside, London, SE1 9TG
Nearest Tube: Southwark / London Bridge / Blackfriars
MAP OF AREA
Pieces I Never Did (David Critchley, 1979)LATE AT TATE BRITAIN: DECEMBER
VAMP (Video and Music Performers), video performance, Duveen Galleries
After a twenty-five-year hiatuses, VAMP are performing again. The group were the first to perform integrated video and audio works using the Videokalos image-processing synthesizer, developed and built by Donebauer in collaboration with Monkhouse in the mid 1970s. The artists include Simon Desorgher on flute and electronics, Peter Donebauer on Videoakalos synthesiser, Richard Monkhouse on Vector Pattern Generator and Michael Orniston on the Mongolian horse-head fiddle with Mongolian overtone singing.
Kevin Atherton, In Two Minds, video performance, Clore Auditorium
In Two Minds - Past Version consists of the fifty-five-year-old Kevin Atherton answering questions put to him by his twenty-seven-year-old, pre-recorded self. The resulting performance is a humorous and insightful examination of 1970s video art but as it progresses, becomes a poignant reflection on what has happened in the intervening twenty-eight years.
Continuous playback of selected single screen tapes, Clore Gallery Foyer
This event is free, no bookings taken
www.tate.org.uk
Tate Britain, Millbank, London, SW1P 4RG
Nearest Tube: Pimlico
MAP OF AREA
Sackville I’m Yours (Colin Campbell, 1972)ANALOGUE:
PIONEERING ARTISTS' VIDEO FROM THE UK & CANADA (1968-88)
Symposium & Screenings
This symposium includes discussions with the curators Catherine Elwes, Dr. Chris Meigh-Andrews and Peggy Gale and contributing artists David Critchley and Tamara Krikorian, chaired by A.L. Rees and the screening of familiar and forgotten video work from the UK and Canada. The event features work by General Idea, David Hall, Mona Hatoum and Cerith Wyn Evans which reflect the period's social realities and questions mainstream popular culture and fine art traditions.
10am SCREENINGS
Four one hour programmes of work by pioneering UK and Canadian artists.
UK: PROGRAMME 1
David Critchley, Pieces I Never Did (extract), 1979, 4.50 min
Marceline Mori, Second and Third Identity, 1977, 4 min
Akiko Hada, Oi Hoi Bang Bang!, 1988, 6 min
Stuart Marshall, Distinct (extract), 1979, 3.36 min
Sera Furneaux, Lessness (extract), 1986, 3.30 min
Chris Meigh-Andrews, Interlude: (Homage to Bug’s Bunny), 1983, 4 min
Judith Goddard. Electron, 1987, 5 min
Marty St James & Ann Wilson, Beatnik, 1984, 5 min
Pratibha Parmar, Sari Red (extract), 1988, 5.44 min
John Scarlett-Davis, Chat Rap (Volker), 1983, (extract), 2.10 min
Mona Hatoum, Measures of Distance (extract), 1988, 5 min
Tina Keane, Demolition/Escape (extract), 1983, 4 min
Gorilla Tapes, The Commander in Chief, 1985, 4 min
UK: PROGRAMME 2
Mick Hartney, State of Division, 1979, 6 min
Mike Stubbs, Greetings from the Cape of Good Hope, 1985, 5 min
Cerith Wyn-Evans, Degrees of Blindness (extract), 1988, 5.10 min
George Barber, Brandson, 1985, 4 min
Katharine Meynell, Medusa (extract), 1988, 4.15 min
Pictorial Heroes, Reflections on the Art of the State (extract), 1988, 4 min
John Hopkins, Video Space (extract), 1970, 5 min
Steve Littman, Crisps, 1982, 4 min
Catherine Elwes, Kensington Gore (extract), 1980, 4 min
Jeremy Welsh, I.O.D (extract), 1984, 4.08 min
Ian Bourn, The Wedding Speech, 1978, 5 min
Steve Hawley, Extent of Three Bells, 1981, 4 min
Graham Young, Accidents in the Home: Gas Fires no. 17, 1984, 4 min
CANADA: PROGRAMME 1
Murray, Keeping on Top of Song (installation), 1973, 17-min loop
Pierre Falardeau & Julien Poulin,
Continuons le Combat (extract), 1971, 10 min
Colin Campbell, Sackville I’m Yours (extract), 1972, 6 min
David Askevold,
My Recall of an Imprint of a Hypothetical Jungle, 1973, 5.30 min
Jeff Spalding, VideoWash (extract), 1973, 5 min
Eric Cameron, Contact Piece: A Nude Model (Donna) (extract), 1973, 6 min
Lisa Steele, Birthday Suit, 1974, 12 min
Rodney Werden, Say, 1978, 3 min
Paul Wong, 60 Unit Bruise, 1976, 4.30 min
Daniel Dion & Phillippe Poloni, Division de la Nature, 1981, 5 min
CANADA: PROGRAMME 2
General Idea, Pilot (extract), 1977, 5 min
Tom Sherman, Televisions Human Nature (extract), 1977, 9 min
Alex Poruchnyk, Live Wire, 1982, 5.50 min
Jayce Salloum, In the Absence of Heroes (extract), 1984, 5 min
Su Rynard, A Tape About Memory, 1985, 3.30 min
Vera Frenkel, Last Screening Room (extract), 1984, 9.45 min
Robert Morin, Thief Lives in Hell, 1984, 19:40 min
4:30pm PANEL DISCUSSIOON
With Peggy Gale, Catherine Elwes, Chris Meigh-Andrews, David Critchley and Tamara Krikorian. Chaired by A.L. Rees.
Tickets: £25 (£15 concessions), booking required
Box Office: 020 7887 8888
www.tate.org.uk
Tate Britain, Millbank, London, SW1P 4RG
Nearest Tube: Pimlico
MAP OF AREA
...
ANALOGUE:
Pioneering Video from the UK, Canada and Poland (1968-88)
Polish programme curated by Lukasz Ronduda.
Canadian programme curated by Lisa Steele and Peggy Gale.
UK programme curated by Catherine Elwes and Chris Meigh-Andrews.
Funded by Arts Council England, the Canada Council for the Arts, the Polish Cultural Institute with support from Camberwell College of the Arts, UAL and The Electronic & Digital Art Unit (EDAU), University of Central Lancashire.
ANALOGUE
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posted by Secret Cinema at 11/24/2006 03:00:00 PM
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